Heta.village.1973

Catch A Fire, Bob Marley And The Wailers seminal first release on Island Records, universally regarded as the album which put reggae music on the global stage, is being re-issued, via Universal Music Recordings on November 3 to celebrate the 50th Anniversary of its original release in 1973.

Frank Zappa & The Mothers - Roxy By Proxy (2014) {Zappa Records ZR 20017 rec 1973}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 530 Mb | MP3 @320 -> 179 Mb
Full Artwork @ 600 dpi (png) -> 713 Mb | 5% repair rar
© 1973, 2014 Zappa Records / ZFT | ZR 20017
Rock / Experimental Rock / Jazz Rock

Official Release #99. After numerous delays those who pre-ordered Frank Zappa’s Roxy By Proxy have finally received their CDs. The 13-track release was recorded at The Roxy in Los Angeles on December 9 and 10, 1973. Frank is listed as the producer of the project, which was mixed in 1987, though Gail Zappa and Joe Travers are listed as producers for the CD and compilation. John Polito mastered the CD in 2011 and it includes liner notes from band member Ruth Underwood.

On Fort Yawuh, Keith Jarrett is joined by Dewey Redman (tenor sax), Charlie Haden (bass), Paul Motian (drums), and Danny Johnson (percussion) to produce this set recorded live at the legendary Village Vanguard in New York City on February 24, 1973. About two minutes into "Fort Yawuh," Jarrett prepares the listener for a piano solo by announcing himself with quick and sharp keyboard jabs that evolve into spared and beautiful crescendos that before too long involve the soulful wails of Redman on the sax. The following song, "De Drums," is the one track that really swings on this album. Another long one, at 12 minutes in length, "De Drums" is much more focused on a steady and consistent rhythm that is established immediately by a smooth five-note bassline accented by the piano and shakers.

Originally intended as a more thematic rendering of the characters and themes of The Village Green Preservation Society, Preservation Act 1 fails to realize Ray Davies' ambitious goal of marrying theatrical elements with rock…

Big Walter Horton was one of the key architects of modern blues harmonica. Blues legend Willie Dixon referred to him as "the best harmonica player I ever heard." Along with Little Walter Jacobs and Sonny Boy Williamson II, he is considered to be one of the most influential harpists ever. He was capable of both intense power and fragile delicacy, often in the same song. He was endlessly melodically adventurous, and always unpredictable. His only Alligator Records album, - "Big Walter Horton With Carey Bell", came out in 1972. It paired him with his young protégé, who had played under Walter's tutelage since Bell's arrival in Chicago. Walter's long-time partner Eddie Taylor joined them on guitar. It was Alligator's second-ever release, and received widespread critical acclaim, especially for the fiery harp duets that pitted the two harmonica masters against one another.