Hirobumi Watanabe

Mo' Bop II is an album by guitarist Kazumi Watanabe. It was released in 2004 and features only two other members in the lineup, besides Watanabe. The album is part of a project called "New Electric Trio" which began in 2003 with Mo' Bop and continued till 2006 with Mo' Bop III. The album is characterized by a heavy fusion sound.

Mo' Bop III is an album by guitarist Kazumi Watanabe. It was released in 2006 and features only two other members in the lineup, besides Watanabe. The album is part of a project called "New Electric Trio" which began in 2003 with Mo' Bop. The album is characterized by a heavy fusion sound.

Mo' Bop is an album by guitarist Kazumi Watanabe. It was released in 2003 and features only two other members in the lineup, besides Watanabe. The album is part of a project called "New Electric Trio" which began in 2003 with Mo' Bop and continued till 2006 with Mo' Bop III. The album is characterized by a heavy fusion sound.

Kazumi Watanabe was only 17 when his debut Infinite was released in 1971, with his display of guitar skills establishing him as a young prodigy. As the late 70's continued, Watanabe created over a dozen jazz fusion albums, while also performing guitar segments on other musicians' albums. He travelled with Yellow Magic Orchestra on their tour in 1979 and was a key collaborator with many of the musicians involved, in particular with Ryuichi Sakamoto…

To Chi Ka is a fusion album by Kazumi Watanabe. It was recorded and mixed in March 1980 during a very prolific period for Watanabe and then released in May 1980. The album features some of the most acclaimed jazz and rock musicians; part of them will follow Watanabe in other projects, too…

Olive's Step is the 6th album by Japanese guitarist Kazumi Watanabe. The album was released on LP by Better Days label of Nippon Columbia in 1977…

A great little session from this excellent Japanese alto player - and although the title and track list might make you think that the record's a straight run of classic bop tunes, it's actually got a lot of Watanabe's modal groove and a very nice edgey feel that pushes it way past the regular Charlie Parker tribute. The groove's pretty modern, and although the tunes are all bop classics - the group (which includes trumpeter Terumasa Hino and pianist Kazuo Yashiro) make the record sound a lot different than the source material.