Each episode is introduced and concluded by a mysterious wanderer known only as "The Hitchhiker," and explores the foibles of humanity and its dark spirit. The title character was played by Nicholas Campbell from 1983-1984 (3 episodes), and Page Fletcher from 1984-1991 (82 episodes). There were a total of 85 episodes over six seasons (39 first runs on HBO & 46 first runs on USA).
Mystère, Enigmes et Secrets du passé sont autant de clés pour découvrir la petite histoire de la grande. Avec l'aide des plus éminents de nos historiens d'aujourd'hui, nous avons tenté d'élucider une trentaine d'énigmes, sachant que l'Histoire est, comme la science, en perpétuelle évolution sur le chemin de la vérité. Ainsi de nouveaux dossiers ont pu être rouverts en s'appuyant sur des figures emblématiques et, à travers elles, raconter une époque, percer à jour certains secrets. …
Muddy Waters was the single most important artist to emerge in post-war American blues. A peerless singer, a gifted songwriter, an able guitarist, and leader of one of the strongest bands in the genre (which became a proving ground for a number of musicians who would become legends in their own right), Waters absorbed the influences of rural blues from the Deep South and moved them uptown, injecting his music with a fierce, electric energy and helping pioneer the Chicago Blues style that would come to dominate the music through the 1950s, ‘60s, and '70s. The depth of Waters' influence on rock as well as blues is almost incalculable, and remarkably, he made some of his strongest and most vital recordings in the last five years of his life.
The Best of the Scorpions, Vol. 2 contains ten songs from the Scorpions' late-'70s and early-'80s records, prior to their crossover hits "No One Like You" and "Rock You Like a Hurricane." …
L’histoire des femmes se confond avec celle des hommes, mais elle a ses spécificités propres, elle est « l’histoire de l’humanité lue dans l’évolution de la vie privée ». Souvent en retrait des grands événements qui ont façonné le monde, la femme en est à sa manière tout autant fondatrice que les hommes. Elle en est aussi le reflet. Reflet de l’image que les hommes se font d’eux-mêmes et reflet de la société dans laquelle elle vit. Les conditions de son existence, les libertés et les responsabilités qu’on lui a laissées ou qu’elle a prises, ont déterminé un modèle de société qui l’a à son tour modelée. …
The Second Concerto is more unitary in manner. There are still occasional moments of hard tone from Ashkenazy, but they are less noticeable here. It’s a nice performance if you like a pretty broad first movement, an energetic but controlled Scherzo, a mellow Andante and a Finale which aims more at grace and good humour than anything climatic. The recording is lively with a touch of glare at times.