Hits+&+rarities

Simply one of the greatest guitarists in jazz history, George Benson is an amazingly versatile musician whose adept skills find him crossing easily between straight-ahead jazz, smooth jazz, and contemporary R&B. Blessed with supreme taste, a beautiful, rounded guitar tone, terrific speed, a marvelous sense of logic in building solos, and, as always, an unquenchable urge to swing, Benson's inspirations may have been Charlie Christian and Wes Montgomery, but his style is completely his own. Not only can he play lead brilliantly, he is also one of the best rhythm guitarists around, supportive to soloists and a dangerous swinger, particularly in a soul-jazz format; skills he first garnered attention for as a member of Brother Jack McDuff's band in the early '60s.

When talking about bossa nova, perhaps the signature pop music sound of Brazil, the first name that comes to mind is that of Antonio Carlos Jobim. With songs like "The Girl from Ipanema" and "Desafindo," Jobim pretty much set the standard for the creation of the bossa nova in the mid-'50s. However, as is often the case, others come along and took the genre in a new direction, reinventing it through radical reinterpretation, be it lyrically, rhythmically, or in live performance, making the music theirs. And if Jobim got credit for laying the foundation of bossa nova, then the genre was brilliantly reimagined (and, arguably, defined) by the singer/songwriter and guitarist João Gilberto.

Oscar Peterson was one of the greatest piano players of all time. A pianist with phenomenal technique on the level of his idol, Art Tatum, Peterson's speed, dexterity, and ability to swing at any tempo were amazing. Very effective in small groups, jam sessions, and in accompanying singers, O.P. was at his absolute best when performing unaccompanied solos. His original style did not fall into any specific idiom. Like Erroll Garner and George Shearing, Peterson's distinctive playing formed during the mid- to late '40s and fell somewhere between swing and bop. Peterson was criticized through the years because he used so many notes, didn't evolve much since the 1950s, and recorded a remarkable number of albums. Perhaps it is because critics ran out of favorable adjectives to use early in his career; certainly it can be said that Peterson played 100 notes when other pianists might have used ten, but all 100 usually fit, and there is nothing wrong with showing off technique when it serves the music.

Vocal virtuoso Bobby McFerrin ranks among the most distinctive and original singers in contemporary music – equally adept in jazz, pop, and classical settings, his octave-jumping trademark style, with its rhythmic inhalations and stop-on-a-dime shifts from falsetto to deep bass notes often sounds like the work of at least two or three singers at once, while at the same time sounding quite unlike anyone else.

One of the all-time great tenor saxophonists, Stan Getz was known as "The Sound." He possessed one of the most beautiful tones in all of jazz, and was among the greatest of melodic improvisers. His main early influence was Lester Young, but he grew to influence generations of players himself and never stopped evolving as a musician. Getz was an extraordinary improviser who created a distinctive sound and vocabulary.

Though its modern-day connotation means something quite the opposite in terms of flattery, the Knickerbockers in their heyday were the ultimate bar band. With a stripped-down lineup of guitar, bass, drums, and tenor saxophone and all four members singing, their repertoire truly "covered the waterfront." Their harmonies were gorgeous, fuller and sharper than your average self-contained band, and their collective ear for mimicry was unparalleled. When they recorded a deadly accurate Beatle sound-alike original, "Lies," for the tiny Challenge label, it started zooming up the charts, and the band seemed poised for multi-talented stardom. Alas, it was not to be, but certainly not for lack of talent. This definitive 36-track two-disc set documents if not the best the group had to offer at the very least, the best they were allowed to commit to magnetic tape, and spotlights their many strong points (impeccable harmonies, a solid-as-a-brick rhythm section, and a willingness to adapt to different types of material thrust upon them). We'll never really know what the Knickerbockers were ultimately capable of, but this collection shows that even when their rockin' locomotive was put on a single direction track, they still had much to contribute. A one-hit group, perhaps, but one with more talent than chart success, that much is obvious.

Includes the unreleased original version of "I Put A Spell On You" and two previously unreleased tracks. Includes 15 tracks not otherwise available on CD & vinyl at the time of 2023.