York Höller was born in Leverkusen and studied from 1963–70 in Cologne with Bernd Alois Zimmermann, Herbert Eimert, and Alfons Kontarsky, among others. His participation in Pierre Boulez’s analysis seminars at the 1965 Darmstadt Summer Courses motivated him to explore serial music. After temporary employment at the Bonn Opera House, he worked in 1971/72 in the West German Radio’s Studio for Electronic Music, whose artistic director he was from 1990 to 2000.
German composer York Höller's orchestral cycle Sphären, which won the prestigious Grawemeyer Award in composition in 2010, receives its first recording in this performance with Semyon Bychkov leading WDR Sinfonieorchester Köln. It's an attractive, inventive piece of non-doctrinaire modernism with the appeal to reach fans of contemporary music. Höller's language tends to be dense, but it is colorful, if generally skewed to somber and subdued colors.
York Höller was born in Leverkusen and studied from 1963–70 in Cologne with Bernd Alois Zimmermann, Herbert Eimert, and Alfons Kontarsky, among others. His participation in Pierre Boulez’s analysis seminars at the 1965 Darmstadt Summer Courses motivated him to explore serial music. After temporary employment at the Bonn Opera House, he worked in 1971/72 in the West German Radio’s Studio for Electronic Music, whose artistic director he was from 1990 to 2000.
There was never any disputing the strong country influence Eilen Jewell brought to her retro-pop-folk, so it's no surprise that she detours into this short but extremely sweet tribute to one of her obvious influences, Loretta Lynn. It's a natural side road, especially since Jewell's sumptuous voice is similar to Lynn's, as is her delivery. Jewell already recorded Lynn's "The Darkest Day" on her previous album, but the dozen selections here are not the coal miner's daughter's best-known tunes, despite the obvious resemblance of the cover art to 1968's iconic Loretta Lynn's Greatest Hits. Rather, the tracks are carefully chosen to reflect only Lynn's original compositions that highlight her often defiant, genre-expanding lyrics and diverse topics, which range from offbeat gospel ("Who Says God Is Dead") to brazen infidelity ("Another Man Loved Me Last Night.").
Joe Nosek fell in love with the blues when he was a boy, but it was vintage Chess Records singles and the blues 78s of the 1920s and '30s that captivated him. When the vocalist and harmonica player put together the Cash Box Kings in the early 2000s, he named them after a now defunct magazine that charted the juke box hits of the '40s and patterned their sound on the early blues records that captivated him. The music on Holler and Stomp pays tribute to the country sounds that influenced the blues in the early days of recording with a mix of originals and covers that sound like they're 50 years old. "That's My Gal" is a variation on Slim Harpo's "Scratch My Back," with Paterson's reverb-drenched guitar and Oscar Wilson's sly vocal contributing to the retro feel…
Russell County, Virginia-based 49 Winchester is following up their 2022 breakthrough hit, Fortune Favors The Bold, with their latest album, Leavin’ This Holler. Since their last release in 2022 the band has mined success across the globe by playing multiple sold out tours in the US as well as a sold out run of arena concerts opening for Luke Combs across Europe. Crowds have celebrated and supported this band across the globe and the band’s hard working ways continue to help build their devoted following. Leavin’ This Holler is a soulful anthem of liberation and renewal. The album narrates a journey of breaking free from the chains of the past to pursue happiness and freedom. With a resolute spirit and a clean washed heart, 49 Winchester embraces change and sets out on a quest for new heights. Fortune has favored these bold boys and fueled by determination and the promise of a bright future, Leavin’ This Holler is a powerful ode to resilience and the pursuit of personal fulfillment.