Home Grown! The Beginner's Guide to Understanding The Roots, Vol. 1

A wonderful collection of 144 original hits from the golden decade of the 80's. Almost 10 hours of great music full of rhythm, melody and nostalgia. An endless parade of memories with the greater names of the musical scene.

János Kőrössy (1926-2013) was a Romanian jazz musician of Hungarian descent. He was a piano player, composer and arranger.
Kőrössy's first name is spelled in many different ways: Hansel, Jancy, Jancsy, Iancsi, Yancy and Yancey. He became a well known jazz musician in the European Eastern bloc in the 1960s, appearing at the International Jazz Festivals in Prague (1960), Warsaw (1961) and Budapest (1962). In 1969 he moved to West Germany and subsequently relocated to the United States, settling in Atlanta, Georgia. He played in Atlanta and in 1981 performed with Zoot Sims. After the Romanian Revolution, he returned to Romania, appearing in 1993 at the Costineşti and Galaţi jazz festivals and 2001 at the International Jazz Festival in Bucharest.

None of the Band's previous work gave much of a clue about how they would sound when they released their first album in July 1968. As it was, Music from Big Pink came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, alternating emphasis on different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty.

None of the Band's previous work gave much of a clue about how they would sound when they released their first album in July 1968. As it was, Music from Big Pink came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, alternating emphasis on different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty.

The second album from this unusual blues-rock trio finds the band continuing to explore the borderlands between swamp boogie, funk, R&B, country, Delta blues, and Chicago blues, with consistently fruitful results. Operating without a bass player (vocalist Steve Marriner plays guitar, keyboards, and harmonica, while Tony D plays lead guitar and Matt Sobb plays drums), MonkeyJunk nevertheless generate a dark and thoroughly grounded groove – or perhaps one should say "grooves." "Right Now" is Texas-style funky blues, heavy on the wah-wah pedal; "Running in the Rain" is full-tilt barrelhouse blues with a strong R&B undertow; "With These Hands" is a lovely example of Muscle Shoals-style soul music…

Setting various German and Latin texts for solo voices, violins and continuo, these sacred cantatas are typical products of the late 17th century in their pragmatic approach to form.
Here are patchworks such as Jesu dulcis memoria and Salve, Jesu, Patris gnate unigenite; chorale or song variations such as Jesu, meine Freude; and others, like Ich halte es dafür and Ich habe Lustabzuscheiden, which combine the two. CantateDomino is liltingly Italianate, Mein Herz ist bereit is an agile showpiece for solo bass, while Herr, wennich nur dich hab is a set of variations over a ground bass. The Purcell Quartet's essential string sound has always been sweet, airy and lucid, and it's interesting to hear how that has been transferred here from the instrumental sphere to the vocal.