Hot Chocolate 20 Hottest Hits (1979)

They were originally named 'The Hot Chocolate Band' by Mavis Smith, who worked for the Apple Corps press office. This was quickly shortened to Hot Chocolate by Mickie Most. Hot Chocolate started their recording career making a reggae version of John Lennon's "Give Peace A Chance", but Brown was told he needed permission. He was contacted by Apple Records, discovered that John Lennon liked his version, and the group was subsequently signed to Apple Records. The link was short-lived as The Beatles were starting to break up, and the Apple connection soon ended. In 1970 Hot Chocolate, with the help of record producer Mickie Most, began releasing tracks that became hits, such as "Love is Life", "Emma", "You Could Have Been a Lady", and "I Believe in Love".

Four CD set. With 12 UK Top 10 singles, 29 Top 40 hits and a combined 280 weeks (over five years!) in the UK charts Hot Chocolate are one of the most successful chart acts of all time. This box set features every A and B-side they issued on the seminal RAK Records label, all 36 singles. Hot Chocolate chalked up at least one hit single every year between 1970 and 1984, a rare achievement and they are among the Top 200 most successful UK chart artists of all time. Unlike many UK 'pop' acts of the day they scored chart success in the USA where 'Emma' (#3), 'Disco Queen' (#28), 'You Sexy Thing' (#3), 'So You Win Again' (#31), and 'Every 1's A Winner' (#6) were all Billboard Top 40 hits. 24 of these singles were also chart entries in Germany while eight of them went Top 20 in Australia, the band scoring hits across most of Europe as well.

The multidimensional Hot Chocolate incorporated strains of soul, rock, reggae, and disco into their sound and, during the '70s and early '80s, scored a dozen Top 10 hits in their native U.K. Formed by Errol Brown and Tony Wilson, the interracial band debuted in 1969 as Hot Chocolate Band with a cover of Plastic Ono Band's "Give Peace a Chance," issued on the Beatles' Apple Records. The band then forged a long-term alliance with producer Mickie Most and his RAK label, for which Brown and Wilson also wrote material for other artists. From 1970 through 1973, Hot Chocolate released seven singles. "Love Is Life" and "I Believe (In Love)" were Top 10 U.K. hits, as was "Brother Louie," a bleak tale regarding an interracial relationship. A cover version, shrewdly recorded by Stories, went to number one in the U.S.

By ignoring the band's first two albums, the Roy Wood-dominated Electric Light Orchestra and the transitional ELO II, the 1979 singles compilation ELO's Greatest Hits presents a somewhat skewed vision of the band. Ironically, this revision has become the normative view of the band: slick, almost mechanical purveyors of undeniably catchy but somewhat soulless hit singles. "Evil Woman," "Showdown," "Turn to Stone," "Telephone Line," "Strange Magic" – anyone who was anywhere near a radio in the latter half of the '70s knows them all by heart, whether they like them or not. But ELO's Greatest Hits does a far graver disservice to the Electric Light Orchestra's oeuvre. For some reason, the original vinyl LP sounded somewhat muffled and distant, as if the EQ was perceptibly off. The result is that while this is otherwise a fine survey of Jeff Lynne's most successful – if not necessarily his best – songs, it just doesn't sound very good.

Since their re-emergence in 1973, the Shadows had established themselves among the most tasteful guitar instrumental bands of the age. True, their greatest singles hits tended to be vocal numbers – the Eurovision Song Contest smash "Let Me Be the One" paramount among them. But mention the Shadows to the average record buyer, and still the first thought that comes to mind was of seamless, sweet, and soaring guitar epics – which was precisely the thinking behind this set. Despite a track listing which featured three of the band's most recent 45s, String of Hits was not titled for the band's own singles success…