"A 40 CD overview of some of the most sonically-spectacular classical and film soundtrack albums ever made. With 11 albums enjoying their first international CD release, Decca here celebrates a unique chapter in its own engineering history. Created in 1961, Phase 4 used the then-new multi-mixing techniques to deliver albums of maximum immediacy, clarity of instrumentation and breadth of dynamic range. 200 classical releases were eventually released on this label, with the first major classical releases 50 years ago in 1964. This set shows Phase 4 in its prime – big classical works requiring large scale orchestras, ripe for the display of spectacular sound engineering feats.
Café del Mar Terrace Mix continues its successful story with another great selection of 13 titles, carefully compiled by Toni Simonen. An album that builds up gradually from mellow sounds to deep steady grooves and that delivers the finest Line Up since the first installment. So without any doubt this album belongs to the best realizations of Toni Simonen's mission to bridge the gap between chill and electro beats.
Joe Bonamassa has moved far past his initial incarnation as a kid guitar wiz with a Stevie Ray Vaughan fascination, and has developed into an elegantly reverent guitarist and a fine singer as well, bringing a little R&B blue-eyed soul to the blues. For Different Shades of Blue, Bonamassa co-wrote songs with veteran Nashville songwriters Jeffrey Steele, Gary Nicholson, James House, Jerry Flowers, and Jonathan Cain, then took 11 of the songs and tracked them in Las Vegas at Studio at the Palms with producer Kevin Shirley and a solid band of studio musicians including Reese Wynans (organ, piano), Carmine Rojas (bass), Michael Rhodes (bass), Anton Fig (drums, percussion), Lenny Castro (percussion), Lee Thornburg (trumpet, trombone), Ron Dziubla (saxophone), the Bovaland Orchestra (strings), and background vocalists Doug Henthorn and Melanie Williams.
The Almost Brothers name came from Allman Brothers pianist Chuck Leavell. The doors to venues would open while the Almost Brothers were playing and they were mistaken for an opening act. The band recorded a few tunes at Capricorn Studios, Macon, Ga…