Picking up where 1962-1966 left off, the double-album compilation 1967-1970, commonly called The Blue Album, covers the Beatles' later records, from Sgt. Pepper's through Let It Be. Like The Red Album, The Blue Album was released in the wake of a pair of widely advertised quadruple-LP bootlegs, Alpha Omega, Vols. 1-2: The Story of the Beatles, which had appeared early in 1973. And like its companion volume, this set contains a mixture of hits, including singles like "Lady Madonna," "Hey Jude," and "Revolution" – which had originally appeared only as 45s – plus important album tracks like "Lucy in the Sky with Diamonds," "A Day in the Life," "While My Guitar Gently Weeps," and "Come Together," as well as orphaned tracks such as the single versions of "Let It Be" and "Get Back," which had never been on any LP before.
Subtitled 'Savage Garage Punk From Valhalla 1964-1968', this set comprises SIX CD's chock full of killer '60s garage rock, freakbeat and '60s punk from Scandinavia's most savage combos! Featured bands include The Holders, Gaggas, 1-2-6, Gonks, The Deejays, The Beatmakers, Firebeats Inc., Thors Hammer, The Kingbeats, The Namelosers, Tages, The Shanes, Jackie Fountains, The Cads, Stamping Bricks, The Hitmakers, The Telstars, The Friends, The Walkers, We 4, The Cherry Stones and many more.
Featuring some of the finest avant-garde jazz players from Germany and beyond, the United Jazz + Rock Ensemble began life as a loose studio aggregation assembled for a youth-oriented German television show in 1975. Hoping for a contemporary balance between rock and jazz, producer Werner Schretzmeier called upon pianist Wolfgang Dauner, the former leader of Et Cetera, an avant-garde jazz group Schretzmeier had managed until their breakup in 1972. Initially recruiting musicians from his home base of Stuttgart (then a hotbed of avant-garde jazz), Dauner put together a rotating cast of musicians that were at first dubbed the Eleven and a Half Ensemble (after the program's airtime); this group featured guitarist Volker Kriegel (who shared writing and arranging duties with Dauner), drummer Jon Hiseman, trumpeter Ack Van Rooyen, and trombonist Albert Mangelsdorff…
Louisiana Red (born Iverson Minter) was a flamboyant guitarist, harmonica player, and vocalist. He lost his parents early in life through multiple tragedies; his mother died of pneumonia a week after his birth, and his father was lynched by the Klu Klux Klan when he was five. Red began recording for Chess in 1949, then joined the Army. After his discharge, he played with John Lee Hooker in Detroit for almost two years in the late '50s, and continued through the '60s and '70s with recording sessions for Chess, Checker, Atlas, Glover, Roulette, L&R, and Tomato, among others.