"Ewen Carruthers „One red shoe“ erscheint zunächst als ein weiteres, sehr exzellent aufgenommenes, sehr entspanntes, überaus ruhiges, aber vielleicht geradezu harmloses Album. Denn seinen wahren Inhalt offenbart es nur all jenen, die genauer hinhören, und sich nicht von der mitunter sehr sanftmütigen, warmen Stimme des Künstlers dazu verleiten lassen, dieses Album einfach nur oberflächlich und beiläufig wahrzunehmen. Der Kontrast aus zumeist sanft vorgetragenen Folk-Klängen und sehr tiefgründigen, reflektierten Gleichnissen in den Texten ist es, der dieses Album so spannend und hörenswert macht. Denn die ausgefeilten, zumeist als Gleichnisse verfassten Texte drücken viel aus und lassen dem Zuhörer Platz für eigene Assoziationen." ~sempre-audio
Louisiana Red (born Iverson Minter) was a flamboyant guitarist, harmonica player, and vocalist. He lost his parents early in life through multiple tragedies; his mother died of pneumonia a week after his birth, and his father was lynched by the Klu Klux Klan when he was five. Red began recording for Chess in 1949, then joined the Army. After his discharge, he played with John Lee Hooker in Detroit for almost two years in the late '50s, and continued through the '60s and '70s with recording sessions for Chess, Checker, Atlas, Glover, Roulette, L&R, and Tomato, among others.
The complete collection of Achim Reichel’s innovative avant-garde project in the early 1970s. The lavishly designed 10 CD box-set includes all five studio albums and almost five hours of rare and unreleased music, a new remix-album – Virtual Journey – as well as a hardcover book with the artist’s own liner notes. A lucky accident was the catalyst. In Hamburg in the early 70s, while playing with his new Akai X330D tape machine, Achim Reichel discovered he could build soundscapes of guitar echoes and add even more simultaneously. He spent hours in his room with headphones on, growing his orchestra of guitars. A.R. & Machines recorded five studio albums. Their debut, “Die grüne Reise”, – The Green Journey – was released in 1971 on tape cassette and vinyl, and was met with complete confusion, even from the music press, who had no genre-drawer to stick it into, and is a lasting Krautrock monument captured on tape.
Rudolf Buchbinder has recorded the complete cycle of Ludwig van Beethoven's piano sonatas twice: the first set was on Teldec, released in 1992, and the second on RCA, released in 2011. A thorough-going musician with meticulous technique and exacting standards, Buchbinder is famous for adhering to original sources and avoiding anything not specified by the composer. As a result of his rigorous scholarship, his playing is precise and clear, and everything sounds as it appears on the page, with astonishing attention to detail. (…) Buchbinder's set is well worth exploring at length, especially by students and Beethoven aficionados who take these works seriously.