I Scream

Primal Scream’s fusion of indie pop and dance broke down musical boundaries and changed the face of British pop music in the '90s, helping to push dance and techno into the rock mainstream. Their lasting influence is crystallized across nine tracks, on Primal Scream - Live At Levitation. Recorded in 2015 at Levitation in front of underground rock fans from around the world, the LP marks the next release in The Reverberation Appreciation Society’s Live at Levitation series, which captures key moments in psychedelic rock history and live music in Austin, Texas - pulled from Levitation’s extensive archives.

Reverberations (Travelling In Time) is the debut Primal Scream album that never was: 16 perfectly formed pop nuggets weighing in at just under 35 minutes. Boasting eleven previously unreleased BBC session recordings plus all five songs from the band’s first two Creation Records singles.

A platinum-selling singer, Esther Phillips had a long and storied career and all of her recordings for KUDU (sub-label of CTI) have something nice on them, but this is probably the best one. The credits for “From A Whisper To A Scream“, Esther’s 1972 Kudu debut - considered by many to be her finest album for the label - lists such renowned players as Hank Crawford on sax, Eric Gale and Cornell Dupree on guitar, Bernard Purdie on drums, Richard Tee on keyboards and Gordon Edwards on bass. Also enlisting the cream of background singers (Joshie Armstead, Hilda Harris and Tasha Thomas) giving Esther just the right vocal cushion for her blues-tinged interpretations of works by everyone from poet/singer Gil Scott-Heron and the great Marvin Gaye to New Orleans legend Allen Toussaint and soul man Eddie Floyd.

Ozzy Osbourne's tenth studio album was originally called Soul Sucka before fans shut the working title down. The resulting Scream may not win any awards for brain cell power as far as titles go, but the 11 tracks contained within find the Prince of Darkness in fine form.

Primal Scream compile one of the greatest singles discographies into one expansive best of collection with ‘Maximum Rock ‘N’ Roll: The Singles’, from across all 11 albums.

Michael Jackson's „Scream“ is the perfect collection of 13 all-time electrifying dance classics and fan favorites from The King of Pop including "Ghosts," "Thriller," "Dirty Diana" and more. The album also includes a brand-new bonus track: the five-song mash-up "Blood On The Dance Floor X Dangerous (The White Panda Mash-Up)."

A platinum-selling singer, Esther Phillips had a long and storied career and all of her recordings for KUDU (sub-label of CTI) have something nice on them, but this is probably the best one. The credits for “From A Whisper To A Scream“, Esther’s 1972 Kudu debut - considered by many to be her finest album for the label - lists such renowned players as Hank Crawford on sax, Eric Gale and Cornell Dupree on guitar, Bernard Purdie on drums, Richard Tee on keyboards and Gordon Edwards on bass. Also enlisting the cream of background singers (Joshie Armstead, Hilda Harris and Tasha Thomas) giving Esther just the right vocal cushion for her blues-tinged interpretations of works by everyone from poet/singer Gil Scott-Heron and the great Marvin Gaye to New Orleans legend Allen Toussaint and soul man Eddie Floyd.

Their tenth studio album, ‘Scream Above The Sounds’ follows ‘Keep The Village Alive’ which went straight to #1 when it was released in 2015 – their sixth chart-topper after ‘Performance and Cocktails’ (1999), ‘Just Enough Education To Perform’ (2001) ‘You Gotta Go There To Come Back’ (2003), ‘Language. Sex. Violence. Other?’ (2005) and ‘Pull The Pin’ (2007).

A platinum-selling singer, Esther Phillips had a long and storied career and all of her recordings for KUDU (sub-label of CTI) have something nice on them, but this is probably the best one. The credits for “From A Whisper To A Scream“, Esther’s 1972 Kudu debut - considered by many to be her finest album for the label - lists such renowned players as Hank Crawford on sax, Eric Gale and Cornell Dupree on guitar, Bernard Purdie on drums, Richard Tee on keyboards and Gordon Edwards on bass. Also enlisting the cream of background singers (Joshie Armstead, Hilda Harris and Tasha Thomas) giving Esther just the right vocal cushion for her blues-tinged interpretations of works by everyone from poet/singer Gil Scott-Heron and the great Marvin Gaye to New Orleans legend Allen Toussaint and soul man Eddie Floyd.

Come Ahead is Primal Scream’s 12th full length record. 11 new songs that find Bobby Gillespie preparing to release some of the most personal songwriting of the band’s career.