I am The World Peter Vansittart

The past decade has seen the birth and evolution of so many progressive rock bands that it can be more than a little challenging to keep track of them all. And let’s face it, at this stage in the game it isn’t easy to come up with a band name that hasn’t been taken already. But occasionally a name is able to strike a blend of originality and absurdity such that it also sticks in one’s head and stands out from the rest…

The breakout star from the burgeoning Romanian dance scene that has also spawned the likes of Alexandra Stan and Edward Maya, permanently scantily clad Inna has been pivotal in restoring some musical pride to a country whose only previous notable contribution to the pop landscape was the Cheeky Girls. Produced by regular cohorts Play & Win, her second album, I Am the Club Rocker, picks up where her debut, Hot, left off, with 13 sun-soaked Europop tracks that appear destined to blare out of various Club 18-30 hotspots until the inevitable 6-a.m. stagger back to the hotel. As individual pieces of undemanding trance/house-lite pop, the summery flamenco-tinged "Un Momento" and "Endless," the Italo house throwbacks "No Limit" and "House Is Going On," and the dreamy chillout of "July" and "Senorita" all provide the necessary Mediterranean "booze cruise" vibes.

The Eight Holocaust Hymns based on the Swedish Melodic Death / Melodic Black Metal sounds genealogy of cold and melodic. A powerful work packed with Beyond the Grave style while imitating the cold melodic sounds of the oldschools! Just a year ago, "Veneration of Corpses" had been unleashed and now Black Metal Maniacs are returning with the new masterpiece- "I am the Holocaust"!!!

This double-disc overview collection of British super guitarist Peter Green. By concentrating on a 20-year period, listeners get a solid selection of Green's creative genius with Fleetwood Mac, his spotty early solo records when his disintegration begins, and his tentative but still brilliant first return to music-making as well as a pair of sideman gigs with Bob Brunning's Sunflower Blues Band tossed in for good measure. There are only two live cuts in the batch, Boston Tea Party-era versions of "Black Magic Woman" and a cover of Duster Bennett's "Jumping at Shadows," and a wildly interspersed series of solo album cuts, Mac singles, and LP grooves like the juxtaposition of Green's "Lost My Love" with FM's "Fast Talking Woman Blues."