When most people think of Ian Gillan, they often associate him with his long and storied relationship with Deep Purple. However, the singer also had a very successful run with his own band Gillan in the late 70's and early 80's…
Although Enescu gave opus numbers to only 33 of his works, he left an enormous number of pieces in varying stages of composition, from sketches and draft outlines to isolated movements and some scores that are almost complete. Working with a handful of composers and musicologists – fellow Romanians with specialist knowledge of Enescu’s style – the violinist Sherban Lupu has produced performing editions of a number of previously unknown works, heard here in the context of other Enescu rarities. One of these ‘rescued’ pieces, hiding behind the modest title of Caprice Roumain, is nothing less than a major violin concerto.
Carrier Records presents Ave Maria: Variations on a Theme by Giacinto Scelsi, an album-length work from composer Ian Power and Bay Area-pianist Anne Rainwater. Power unwinds the original melody of Scelsi’s 1972 hymn, over and over, into an obsessive meditation for performer and listener alike. What begins as lush chords and hammering bells is interrupted by a bizarre ritual where the pianist must perform an impossible task and be held musically accountable for their mistakes. Ave Maria’s relentless repetitions and uncannily tonal harmonies probe, exalt, and challenge religious concepts of devotion and interiority.
Composing has always formed an integral part of the artistic life of pianist-conductor Olli Mustonen (b. 1967) and he first emerged as a symphonist in the early 2010s. This album by the Turku Philharmonic Orchestra with Olli Mustonen conducting contains two of his most latest symphonies, both dramatic works firmly rooted and continuing the tradition of the great classical composers. Seeking inspiration from multiple sources, the theme of Mustonen’s 2nd Symphony, ‘Johannes Angelos’ (2013), is the ancient city of Constantinople and its mysticism. Mustonen’s 3rd Symphony, ‘Taivaanvalot’ (Heavenly Lights) (2020) is based on a section in the Finnish national epic Kalevala and inspired by the cosmic and shamanistic elements in Finnish mythology. In this recording, the solo part is being sung by internationally acclaimed tenor Ian Bostridge.
Continuum is a double CD edited down from one seven hour live concert (15 June 1996 Newcastle UK) performed by Ian Boddy. On the CD we are given two very lengthy tracks: Alpha and Beta (one on each CD), each coming in at over 70 minutes. Each CD is broken down into several parts (tracks) but the music flows constantly from beginning to end and is best experienced that way, all at once. Credit must be given to Ian for being able to take such a long span of time and fill it with a slowly evolving composition of sounds and atmosphere. Nowhere along the journey will the listener become disinterested.
Although Ian does provide the listener with a rich atmosphere of original timbres and floating soundscapes, please don't think that Continuum is all drones and swirlies, not at all…
The music on this EP inhabits a particular corner of the bounteous repertory of characteristic pieces for violin and piano. Short without being slight, these miniatures are vibrant and emotive, getting to the heart of the matter with freshness and originality, and sharing a rich yet restrained harmonic language which is identifiably English in character.