Ipsos Türkiye'nin Anlama Kılavuzu 2019

The follow-up to 2017's loose and versatile Gathering, Fever Breaks sees the lauded Idaho-bred singer/songwriter teaming up with producer and Americana wunderkind Jason Isbell and delivering a taut ten-track set backed by Isbell and his formidable 400 Unit. Less prone to stylistic detours than previous outings, Fever Breaks is a straight-up band album, with Ritter and company administering some serious muscle on cuts like "Old Black Magic" and "Losing Battles," the latter of which gives off a distinct Crazy Horse vibe. Dylanesque opener "Ground Don't Want Me" takes a similar approach, but retains a modicum of heartland folksiness, bringing it more in line with Ritter's earlier works.

It has been 25 years since the first Café del Mar Volume was released. To celebrate this milestone we have carefully selected a mix of classics & brand new tracks to reflect the essence of Café del Mar. The double CD release features brand new tracks & remixes by Quantic, The Cinematic Orchestra, Zero 7, Peggu Gou, BadBadNotGood and timeless classics by Chicane, A Man Called Adam, Trio Mocoto, Planet Funk, just to name but a few.

Produced by No-Man, Flowers At The Scene is a vibrant collection of 11 strikingly diverse songs. Against a backdrop of propulsive Art Rock, heartbreaking ballads and more, Tim Bowness distinctively delivers cinematic storytelling and disarmingly direct confessional lyrics on his strongest solo album to date. Representing the duo of Tim Bowness and Steven Wilson’s first joint production in over a decade, the album features stunning performances from an extraordinary cast of players including Peter Hammill, Andy Partridge (XTC), Kevin Godley (10cc), Colin Edwin, Jim Matheos (Fates Warning/OSI), David Longdon (Big Big Train), co-producer Brian Hulse (Plenty), Australian trumpeter Ian Dixon, and drummers Tom Atherton and Dylan Howe. The Curator, David K Jones, violinist Fran Broady and Charles Grimsdale also guest.

No ordinary artist. No ordinary covers album. From the day he conceived the project to the moment he counted off the first song in the studio, Walter Trout had a bolder plan for Survivor Blues. "I'm riding in my car sometimes," says the US blues titan. "I've got a blues station on – and here's another band doing Got My Mojo Workin'. And there's a little voice in me that says, 'Does the world need another version of that song?' So I came up with an idea. I didn't want to do Stormy Monday or Messin' With The Kid. I didn't want to do the blues greatest hits. I wanted to do old, obscure songs that have hardly been covered. And that's how Survivor Blues started…"