Iwin Special From No.15 2014 Taiwan Pdf

This edition contains all 1962 collaborations by Joe Pass and pianist Les McCann, who would continue working together the following year. Their 1962 output consists of their participation on Richard “Groove” Holmes LP "Somethin' Special" and on McCann's own album "On Time". Both records appear here in their entirety, as well as two tracks from the second LP that were not included on the original album. As a bonus, the complete LP "Back in Town!". Issued under the name of singer/guitarist Bumble Bee Slim (born Amos Easton), it consisted of two sessions, one featuring Pass, and the other featuring McCann.

Explodes with fresh, inspired takes on lowdown juke joint romps, gut-wrenching blues, tear-jerking soul and modern blues rock. Birchwood’s raw, urgent vocals and sparkling guitar and lap steel playing drive the music, and the songs are simultaneously fun and thought-provoking. "Don’t Call No Ambulance is the remarkable debut album by young guitarist/singer Birchwood. He is a powerhouse player and emotive performer whose work respects blues tradition but could not be more contemporary. His band, his material, and both his skilled guitaring and soulful vocals are the essence of fully-formed; Birchwood is a major player.

There are concessions that must be made on Keith Emerson and Greg Lake’s Live from Manticore Hall, starting with the absence of Carl Palmer - and then the occasional use of loops.
Too, the conversational aspect of the evening certainly works on its first listen, bringing us in with a confidential closeness. (Emerson, in an impish moment, recalls people asking questions about his pre-Emerson Lake and Palmer band: "The Nice what?") But once that context is understood, these lengthy segments quickly become extraneous detours away from what is often a adventurously re-imagined journey through some peak moments for both…

Excellent 60 track music compilation. The music on it is a brilliant choice and not a usual 80s Compilation..

Contralto & conductor Nathalie Stutzmann is an exciting new signing, having left Deutsche Grammophon/Universal to join the Erato roster. Considered to be one of the most outstanding musical personalities of our time, she has parallel careers as both a contralto and an orchestra conductor. She sings regularly with the world’s greatest conductors and orchestras, including the Berliner Philharmoniker under Sir Simon Rattle, Vienna Philharmonic, Orchestre de Paris, the LSO and Rotterdam Philharmonic under Yannick Nézet-Séguin. She currently is in residence with the São Paulo Symphony Orchestra (OSESP).

Italian composer and musician Marco Ragni has been a presence in the Italian music scene for a quarter of a century or thereabouts, and following a couple of decades in various band constellations he decided to venture out as a solo artist a few years back, launching his first solo album back in 2010. "Mother from the Sun" is his fourth studio recording, released towards the end of 2014. To give you an idea, think of the Pink Floyd albums A Saucerful of Secrets, More, Ummagumma, Atom Heart Mother (side two), Meddle, and Obscured By Clouds as major inspirations. Add to this the late sixties California hippy scene and the fact that Marco is Italian, and you have three strong foundations for a unique blend of psychedelic music with folk and funk and classic prog.

This live double album features Coco Montoya and his band on the Road, as part of a RUF records series of on The Road albums delivered from their catalogue of blues artists. The opening track I Got A Mind To Travel, is an apt starting point and introduces us to the full band of musicians Coco Montoya uses to augment his vocal and guitar skills the use of Hammond Organ delivered with panache by Brant Leeper who also adds to the vocals. Throughout the album there are glimpses of Coco Montoya’s exceptional musical career especially the influence he certainly gives the feel of movement and the guitar sound is an homage to his old boss Albert Collins while playing the guitar left-handed and upside down like the other Albert King! Coco’s playing is instinctive full of fluidity. The whole album is easy on your ear and an enjoyable listening experience BUT at times you want Coco to let loose and really show us what he is capable of. On Love Jail his guitar takes on the shape and form of Albert Collins and all the better for it, even his vocals strengthen as the beat picks up, this is a stylish ten minute track. This album has fourteen tracks where Coco and his band just want to please as they play for the length of time need ( Never less than 5 minutes and up to a mighty 15 minutes) to explore all the alleyways and nooks and crannies they feel the music is taking them on their journey of discovery with you, there is freedom of expression that only live music free from the constrains of a studio walls and mixing desk.