Outpost (2002). "Outpost" is the first collaboration between British synthesist Ian Boddy and American recording artist Robert Rich. Together, Rich and Boddy have concocted a mysterious blend of fluid electronic rhythms and impressionistic 50's Sci-Fi soundscapes. With tools ranging from vintage and modern analog modular synthesizers, prepared piano, metallic percussion, feedback networks, and digital signal processing, the two musicians have crafted a sonic journey to the remote edge of a future, lost civilization…
Ian Boddy has been at the forefront of the UK electronic music scene since 1983 when he both performed at the very first UK Electronica Festival in Milton Keynes and released his first vinyl album "The Climb". Ian Boddy provides the listener with a rich atmosphere of original timbres and floating soundscapes. He is one of the few of his generation to have successfully integrated electronic music styles as diverse as seventies-style sequencer structures, melodic neo-classicism and the post-rave Modern Ambient style. Next to Boddy's impressive solo career stands his collaborative live performance and studio efforts with several of Electronic Music's most innovative and interesting personalities including: Ron Boots, Chris Carter, Andy Pickford, Robert Rich, Markus Reuter, Erik Wollo, David Wright and the ongoing project ARC with Mark Shreeve…
Ian Boddy, DiN label boss, is one of the best known names in UK electronic music. He has been releasing music for over 35 years as well as playing concerts, creating sound design and composing library music. Yet despite this long musical career he still manages to surprise his listeners and Tone Science could represent his most experimental album to date. For this release Boddy has returned to his musical roots where experimentation was the name of the game.
He has always been fascinated by the random qualities of natural phenomena such as streams, waves, the leaves on a tree or the clouds in the sky…
Ian Boddy, DiN label boss, has never been a musician to rest on his laurels. After the totally analogue, experimental "Tone Science" he now moves onto fresh sonic pastures with his new solo album "As Above So Below". Boddy has always liked to play around with genres, mixing and matching styles to suit his current frame of mind. On "As Above So Below" he effortlessly combines ambient, classical & electronic music into a seamless, intoxicating sonic landscape. Boddy has been heavily involved in composing library music for many years that feature in TV, films and documentaries and he brings this filmic quality to bear on this suite of six tracks.
In October 2012, Boddy made his sixth pilgrimage across the North Atlantic to Philadelphia to play at the Gatherings concert series. As with his previous solo shows (as well as his last visit performing with Mark Shreeve as ARC), Boddy also performed a show on air for Stars End. This legendary radio show is hosted by Chuck van Zyl, who is also the organiser of the Gatherings concert series. Performed in the early hours of Sunday morning in the WXPN studio, in front of a small group of friends and helpers, this intimate setting is the perfect opportunity to play a more reflective and introspective set than the previous evenings show at the Gatherings…
Ian Boddy started his electronic music career at a Newcastle based arts studio in the late 1970's. His early music was released on cassette by the UK label Mirage. Year's out of print and never reissued by Boddy himself these seminal early albums were released in a beautiful 3 LP-Box set by the Vinyl On Demand label in 2013. Four years on and they are now available as a digital download complete with all the artwork from the vinyl package. As well as Images, Elements of Chance & Options the music is bolstered by three unreleased tracks recorded at some of his very early concerts from this same time period of 1979-1982.
In the autumn of 2012, Ian Boddy played two concerts on opposite sides of the Atlantic Ocean. The first was his fourth solo appearance at the Gatherings, hosted by Chuck van Zyl, in Philadelphia, USA. Four weeks later he then played at the Capstone Theatre in Liverpool, UK. There might have been over 5,000 kilometres separating the two gigs but Boddy played the same set at each and both his performances were multi-track recorded. Back in his studio Boddy then proceeded to edit the audio down to a single CD length and to merge the two shows to create a composite concert. Nothing additional was added, but rather, a careful mix was made of the best sections from each performance to create a unique album that was true to the spirit of the original concerts…
Many consider Berlin to be the birthplace of the 1970's electronic music movement that has proved so influential to the development of a myriad of electronica musicians, both past and present. So when Boddy got the opportunity to play an experimental set at the Electricity series of concerts held in the Lichtblick-Kino in this famous city, he jumped at the chance.
His musical heritage is shaped very much by the analogue modular synthesisers available to him in the late 70's, when he first started to compose and release music…