Idle Conan Gray

The Idle Race are a beloved band of British psychedelia collectors, because the music was rare, because the band was Jeff Lynne's first significant group, and because the music was, by and large, very good. There is a bit of a relative judgment there - this is not music that stands among the very best of British pop-psych of the '60s, since it's not as innovative or consistent as the Beatles, Pink Floyd, the Move, or even Tomorrow, but it's certainly among the best of the second tier, as singles like "Impostors of Life's Magazine," "Big Chief Wooly Bosher," and "Girl at the Window" illustrate. Since this band itself is a collector's item, it only makes sense for collectors to seek out EMI Premier's 1996 collection Back to the Story, which was only available for a brief period (possibly a matter of months) the year of its release…

After almost half a year in the making, The Birthday Party was released in the UK during October 1968 and was one of the first albums to be housed in a gatefold sleeve (the first of course was by the Beatles). Jeff, Greg, Dave and Roger lounge rather dapperly around an oversized invitation asking one and all to come to their first birthday party.

This languid, seductive gem may well be Grant Green's greatest moment on record. Right from the opening bars of the classic title cut, Idle Moments is immediately ingratiating and accessible, featuring some of Green's most stylish straight jazz playing. Whether he's running warm (pianist Duke Pearson's "Idle Moments"), cool (the Modern Jazz Quartet's "Django"), or a bit more up-tempo (Pearson's "Nomad," his own "Jean de Fleur"), Green treats the material with the graceful elegance that was the hallmark of his best hard bop sessions, and that quality achieves its fullest expression here. He's helped by an ensemble that, as a sextet, is slightly larger and fuller-sounding than usual, and there's plenty of room for solo explorations on the four extended pieces…

This languid, seductive gem may well be Grant Green's greatest moment on record. Right from the opening bars of the classic title cut, Idle Moments is immediately ingratiating and accessible, featuring some of Green's most stylish straight jazz playing. Whether he's running warm (pianist Duke Pearson's "Idle Moments"), cool (the Modern Jazz Quartet's "Django"), or a bit more up-tempo (Pearson's "Nomad," his own "Jean de Fleur"), Green treats the material with the graceful elegance that was the hallmark of his best hard bop sessions, and that quality achieves its fullest expression here. He's helped by an ensemble that, as a sextet, is slightly larger and fuller-sounding than usual, and there's plenty of room for solo explorations on the four extended pieces…

Grant Green - Idle Moments (1963) {1999 Rudy Van Gelder Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 396 Mb | MP3 @320 -> 145 Mb
Full Artwork @ 300 dpi (png) -> 24 Mb
© 1999 Capitol / Blue Note | 0724 49003 2 5 | 24-bit remaster
Jazz / Bop / Cool / Hard Bop

It was always a part of Blue Note's development and marketing to introduce new artists as sidemen on more well-known leaders' projects before giving them dates of their own. The system worked pretty well, and the irony is that a release like 1963's IDLE MOMENTS looks likes more of an all-star session in retrospect. Sure, we get to hear Grant Green stretching out. But we also get Bobby Hutcherson and Joe Henderson, who were just winning their first Downbeat polls at the time..