Idman Download

Warm and harmonic, this four-piece Scandinavian soul act deliver nostalgia steeped tracks with a timeless feel. Described as the bastard lovechild of Fleetwood Mac, Khruangbin, obscure Motown singles, hip-hop duo Eric B & Rakim seasoned with a bit of Stevie Wonder, Selda Bagcan, Elis Regina and Ted Gärdestad, Dina Ögon borrow across decade, country, and genre, ultimately delivering cohesive and homely retro pop from a laidback Nordic horizon. With two critically acclaimed albums under their belt and backing from the likes of Tyler The Creator, many sold out tours and and an organic growth and word of mouth build up on a global level in just two years, they are gearing up to release their third album "Orion" in February 2024.

Saxophonist Pat Posey goes to extremes for his solo debut album, they/beast. Introducing the tubax - a German-invented, modified version of the contrabass saxophone - Pat plays deep, dark renditions of J.S. Bach's Cello Suite No. 3, Melodies for Saxophone by Philip Glass, Bach-inspired Mo'ingus by Brooklyn-based composer-saxophonist Shelley Washington, and Pat's own Hymn.

Her last album "Pas de géant" released by Sony two years ago had received a dythirrambic critical reception, Camille Bertault does it again with his new opus entitled "Le Tigre".

We are delighted to host Yamaha signature artist, and keyboard player, producer and long time co-writer for Jamiroquai - Matt Johnson - with full band at PizzaExpress Jazz Club. For the last 20 years Matt has been the keyboard player for Jamiroquai, co-writing most of the band’s output during that time and co-producing the last album “Automaton”. In-between working with the band he has recorded as a session player with numerous artists in many genres including Duffy, Ashanti, JP Cooper, Jax Jones, SG Lewis, Purple Disco Machine, Newton Falkner, Will Young and many more. Now Matt has released his debut solo record “With The Music” under the Splash Blue label, with a retro Jazz Funk feel.

Camille Bertault and David Helbock are two of the most jaw-droppingly talented members of the cohort of European jazz musicians currently in their mid-thirties. Their journeys in improvised music are always adventurous, playful and exciting. She is the new rising star of French vocal jazz. He, Austrian-born, is one of the most fascinating pianists on the scene. Their two personalities might appear to be polar opposites, yet Bertault’s live-wire humour and Helbock’s calm self-assuredness only appear to be different on the surface.

There is a way a voice can cut through the fascia of reality, cleaving through habit into the raw nerve of experience. Nika Roza Danilova, the singer, songwriter, and producer who since 2009 has released music as Zola Jesus, wields a voice that does that. When you hear it, it is like you are being summoned to a place that’s already wrapped inside you but obscured from conscious experience. This place has been buried because it tends to hold pain, but it’s also a gift, because once it’s opened, once you’re inside of it, it can show you the truth. Zola Jesus’s new album, Arkhon, finds new ways of loosing this submerged, stalled pain.

For this second volume of Beethoven sonatas, Nikolaï Lugansky goes back in time and selects three milestones in the composer's stylistic evolution: the ‘Moonlight’, the ‘Tempest’ and the ‘Appassionata’. The Master of Bonn gradually broke with the models he had inherited from the codes of Viennese Classicism in order to give free rein to affect, emotion and Romantic gesture. With these three works, Beethoven laid the foundations of a free and humanistic art.

Giacomo Gotifredo Ferrari studied in Naples before finding esteem in the Parisian musical world of the late 1780s. Fleeing the Revolution he settled in London. His compositions divide equally between vocal and chamber music, but also include two piano concertos. His Four Duets for Piano and Harp reveal clearly the main features of his art: easy melodic grace founded on his studies with Paisiello, high musical quality, formal balance, and a veneration of Haydn and Mozart. Intended for professionals and amateurs alike, slow movements are expressive and rondos full of vigor. In this recording original instruments are used to do full justice to the period timbre of Ferrari’s dialogues between fortepiano and harp.

Spanish music reached a peak early in the 20th century, with Enrique Granados Goyescas numbered amongst the crowning masterpieces of its day. Infused with the innovations of Debussy and Ravel, and inspired by the colours and emotional depth of Goyas paintings and engravings, the Goyescas are like brilliant and psychologically elaborate improvisations filled with seductively ornamented harmonies.

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