Il Peccato di Lola (1985)

Antonio Salieri is still better known today for the renowned composers with whom he was associated than for his own many and varied compositions. While he cannot be ranked among the great masters himself, he has nevertheless come into view as an underrated and important composer deserving of closer attention. Salieri was the dominant figure in Parisian opera from the mid to late 1780s. Tarare (1787), generally considered his finest achievement in the genre, is a masterpiece. He also wrote significant instrumental, sacred, and vocal compositions, and shaped the Viennese musical world that would produce so many important composers for a century and a half.

Il Balletto di Bronzo is an Italian prog band from Naples that was formed in the late sixties. The first line up featured Marco Cecioni (vocals, guitar), Michele Cupaiuolo (bass), Giancarlo Stinga (drums) and Lino Ajello (guitar). Their debut album was released in 1970 and sounds quite different from their best-known prog work "Ys", since keyboards wizard and vocalist Gianni Leone joined only in 1971 along with bassist Vito Manzari, leading the band in a completely new musical direction. On "Sirio 2222" you can find many "beat" and "psychedelic" influences while lyrics deal with the myth of "hippies way of life" on the road… The music is definitively "guitar driven" and you can listen to some "echoes" of Jimi Hendrix ("Un posto", "Girotondo"), Canned Heat ("Eh Eh Ah Ah"), Animals, Yardbirds or The Who ("Neve calda", "Ma ti aspetterò", "Ti risveglierai con me") mixed with a strong melodic flavour.

This is a mellotron lovers garden of eden! Lots of great keyboard work here and some incredible musicanship. Like so many great Italian recordings, "Ys" demands the listeners full attention throughout. Although this recording has a true '70's reproduced feel to it, it remains very enjoyable with its underground sound. The guitar work is superb and what really stands out is the use of vocals and harmonies throughout.