Il Saprofita (1974)

French violinist Franck Pourcel is best-known for his jazzy string arrangements of pop hits, as well as his lush easy listening arrangements and film scores. Initially, Pourcel studied classical violin at the Paris Conservatoire, but he found the allure of jazz irresistible. In particular, he was an idol of Stephane Grappelli. Following his studies, he joined a number of jazz combos, which led him to his role as the leader of the French Fiddlers, whom he joined in the late '40s. The French Fiddlers were a group of violinists that performed jazzy versions of classical numbers or classical arrangements of pop and jazz tunes. They signed to Pathe-Marconi and continued to refine their sound so they could reach a broader audience. The group earned their first hit in 1952 with a version of "Blue Tango"…

War Child was Jethro Tull's first album after two chart-toppers, Thick as a Brick and A Passion Play, and was one of those records that was a hit the day it was announced (it was certified platinum based on pre-orders, the last Tull album to earn platinum record status). It never made the impression of its predecessors, however, as it was a return to standard-length songs following two epic-length pieces. It was inevitable that the material would lack power, if only because the opportunity for development that gave Thick as a Brick and A Passion Play some of their power. Additionally, the music was no longer quite able to cover for the obscurity of Tull's lyrics ("Two Fingers" being the best example). The title track is reasonably successful, but "Queen and Country" seems repetitive and pointless…

Alan Sorrenti is an Italian singer and composer. Actually, he started as an experimental progressive rock performer, releasing two great albums called "Aria" (1972) and "Come un vecchio incensiere all'alba di un villaggio deserto" (1973), where he showed extraordinary vocal abilities. His third, self-titled album (1974) is usually considered the least convincing of Alan's early production, despite some very good tracks, his style slowly shifting toward more a more mainstream song format. For progressive fans, checking "Aria" out is recommended, expecially the long, wandering progressive suite title track, which lasts for about 20 minutes.

Formed in 1969 in the lace city of Nottingham, England - Paper Lace were just one of hundreds of bands looking for the big time. Their big break came in 1974, when after winning the nationwide talent show "Opportunity Knocks", they were spotted by the songwriting team of Mitch Murray & Peter Callander. The first single "Billy - Don't Be A Hero" topped the U.K. charts for 3 weeks in March 1974. The follow up single,"The Night Chicago Died" hit the number one slot on both the U.S.& Canadian charts [#3 in the U.K]. An album - " Paper Lace and Other Bits of Material" followed. The 3rd. single release "The Black Eyed Boys" narrowly missed the U.K. top 10 [#11]. In 1978 Paper Lace had a top 20 version of "We've Got the Whole World in Our Hands" in conjunction with local football team Nottingham Forest F.C.

ABBA's second (and U.S. debut) album contains the American Top Ten title track, as well as "Honey, Honey," a minor U.S. hit that deserved better. This album is rather unusual in the group's output, however, for the fact that the guys are still featured fairly prominently in some of the vocals, and for the variety of sounds - including reggae, folk-rock, and hard rock - embraced by its songs. The reggae number "Sitting in the Palmtree" is quite remarkable to hear, with its perfect Caribbean beat and those radiant female voices carrying the chorus behind the beat. "King Kong Song" is a good example of hard rock by rote, going through the motions of screaming vocals and over-amplified guitar (courtesy of Janne Schaffer), although even here, when the women's voices jump in on the choruses, it's hard not to listen attentively; the quartet knew what a powerful weapon they had, but not quite how to use it…

First and only release by this truly obscure Italian combo from Rome. It must be included to important Italian Jazz-Prog. vein together with Napoli Centrale and Arti & Mestieri but also some minor other bands such Maad, Esagono or Il Baricentro.