Bill In The Tea is a collective of six musicians born in Catania, Sicily. The band grounds his roots in heavily mathematical prog rock from late seventies but eventually evolves into a smoother and plainer musical architecture, strongly influenced by post-rock and neo-psychedelia, with a clear reference to bossa nova, blues and jazz music.
Features 24 bit remastering and comes with a mini-description. Following the hip strategy of the time, Eddie Harris flew to London to mix it up with some of Britain's most in-demand rockers – including guitarists Jeff Beck and Albert Lee, pianist Stevie Winwood and drummer Alan White – on this LP. Truthfully, though, most of the results aren't too different from what Harris had been recording at home at the time, with only a hint of a rock edge. If anything, the workmanlike Brits are too much on their best behavior – Beck plays with restraint and taste while Lee is jazzier and a bit flashier – making Harris seem like a wild man by comparison.
The 6. edition of the popular Magic Moments series by Germany’s jazz label of the year 2010-2012 (ECHO award). In 2013 again under the motto “In the Spirit of Jazz”:
Music far from fixed styles. Sometimes more, sometimes less jazzy. Between the genres, whether classical music, rock or pop. On the pulse of time and beyond. With established ACT stars and promising newcomers. Music for open ears, for the mind and soul. And for everyone who loves good music.
Features 24 bit digital remastering. An excellent Japanese performance from the Modern Jazz Quartet – and a set that was issued in a bit of a lull during their 60s American years for Atlantic Records – which makes it even more important as a key part of their catalog at the time! The 1966 date has the combo in fine form – and almost stepping out with a bit of added soulfulness, in ways that echo some of the styles that Milt Jackson was exploring on his own at the time, and which seem to be brought back to the group! Milt's vibes are wonderful – ringing out with a great sense of pride and presence that may well go beyond earlier MJQ material.
Features 24 bit digital remastering. An excellent Japanese performance from the Modern Jazz Quartet – and a set that was issued in a bit of a lull during their 60s American years for Atlantic Records – which makes it even more important as a key part of their catalog at the time! The 1966 date has the combo in fine form – and almost stepping out with a bit of added soulfulness, in ways that echo some of the styles that Milt Jackson was exploring on his own at the time, and which seem to be brought back to the group! Milt's vibes are wonderful – ringing out with a great sense of pride and presence that may well go beyond earlier MJQ material.
Since arriving in New York City in 2001, Nate Wooley has established himself as one of the most inventive trumpet players of his generation. In addition to the admiration of his peers, including fellow trumpeters like Taylor Ho Bynum, Peter Evans and Kirk Knuffke, Wooley has earned the respect of esteemed scene veterans, such as Dave Douglas, who said "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole."
Features 24 bit remastering and comes with a mini-description. Originally released by Reprise Records in 1964, this live date from pianist Joe Bushkin at Town Hall features nine laid-back interpretations of standards, including "I Can't Get Started," "They Can't Take That Away From Me," "One for My Baby," and "The Song Is Ended." Bushkin is backed by Chuck Wayne on guitar, Milt Hinton on bass, and Ed Shaughnessy on percussion.
English Electric, is OMD‘s second album since their hiatus, but it’s the first one to truly justify their reformation. Lead singer Andy McCluskey may be in his fifties, but his vocals have been left untarnished by age, with his voice sounding just as wonderfully melodramatic as it did in the ’80s. He hits some big notes on this album, especially on lead single “Metroland”, and even backing vocalist Paul Humphreys gets a showcase of his singing chops on the evocative ballad “Stay with Me”.