Inch High Private Eye

Teenage detective Xander DeWitt is the new kid at Bixler Valley High, and he's there to unravel the biggest mystery of his life- the truth about his missing father. But in order to crack this case, Xander must learn to work with a partner- fearless investigative reporter Kenzie Messina.

During a three-year bloodbath in the 1980s, private security guard Louis van Schoor killed at least 39 people in the South African city of East London. All of his victims were black. The youngest was just 12 years old. It is a killing spree that places van Schoor among the most prolific mass killers in history. He was caught and arrested in 1991, but with many of his killings signed off by local police as ‘justifiable homicides,’ he would receive a shockingly light sentence - serving only 12 years in jail.

During a three-year bloodbath in the 1980s, private security guard Louis van Schoor killed at least 39 people in the South African city of East London. All of his victims were black. The youngest was just 12 years old. It is a killing spree that places van Schoor among the most prolific mass killers in history. He was caught and arrested in 1991, but with many of his killings signed off by local police as ‘justifiable homicides,’ he would receive a shockingly light sentence - serving only 12 years in jail.

Private Investigator Dead Eye Dick is the biggest Dick in Hollywood. He snoops around finding evidence on cheating husbands and doesn't care who he has to pump for information to get the job done.

Private Life of a Masterpiece is a BBC award-winning arts documentary series that tells the stories behind great works of art reaching from the Renaissance to modern art.

Writer Georges Duroy (George Sanders) is one social-climbing S.O.B. who does most of his climbing over the warm (and cold) bodies of women. He begins with Rachel (Marie Wilson), a hanger-on in the cafes and Folies Bergere crowd, and then moves on to dally with Clotilde de Morelle (Angela Lansbury). Always striving to move upward on the social scale, he ditches her to marry Madeleine Forestier (Ann Dvorak). Now he gets on the fast track. He persuades Madame Walter (Katherine Emery), the wife of his publisher, to fall in love with him, and then compromises Madeleine to frame a divorce, so he can pursue Madame Walter's daughter, Suzanne (Susan Douglas, before somebody decided her later-married name was her most-often used screen name). He moves along so well that ere long he is in legal position to usurp the title of one of France's most noble houses. The moral, at the end, is it is okay to mess with French women, but triffling with French titles is going too far.

A high-priced call girl is forced to depend on a reluctant private eye when she is stalked by a psychopath.