Incisions Pathology

Gore fueled death metallers PATHOLOGY return with their 11th studio album The Everlasting Plague which will be released on November 19th via Nuclear Blast. Recently signed to Nuclear Blast Records, the band is charged with a violent hunger to return to the road, and unleash their latest monstrous music to the masses. The Everlasting Plague was recorded earlier this year at Sharkbite Studios. The album was produced by Zack Ohren who also handled engineering and mixing. The demented priest sometimes seen gracing the cover of other PATHOLOGY albums makes a reappearance here as an apex zombie ripping the flesh from his fellow dead man as he ascends to the top of a demolished city. Long-time artist companion Par Olofsson returned to the PATHOLOGY fold to design the piece.

San Diego slamming brutal death metal band, Pathology, formed back in 2006 by Dave Astor (formerly of Cattle Decapitation and The Locust) have just dropped their latest track, Hieroglyphs On Cement Walls, taken from their up-and-coming album, Reborn to Kill. Produced and mastered by Zack Ohren at Sharkbite studios (All Shall Perish, Decrepit Birth), the artwork for Reborn to Kill has been once again created by the mighty Par Olofsson. The record also features guest vocals by Trevor Strnad of The Black Dahlia Murder. Astor comments: "This is by far the best Pathology to date. Everything came out very heavy. We added some new elements this time around and we are excited to see what everyone thinks. We also brought back the evil doctor from the dead so he can continue running his zombie army!"

Brand New’s fifth album stands as a monument to their gradual evolution. It is a wise and vulnerable conclusion for a rock band who were crucial in shaping a scene, a sound, and many emotions.

Copenhagen based Delayscape, aka Flemming Kaspersen, has been releasing electronic music since 2005 on various netlabels. 2010 sees Delayscape’s back catalogue, over five years of work, brought together over two discs: Morse Disco. The album is divided into two subtitles. First up is Music for Dancing at Home. What meets the listener is a deep, rich, collection of analogue notes and pads. The beats are clean with vintage synthesizer tones guiding the listener down an almost forgotten path of electronics. Simple constructs are built to form soundscapes of warm chords and squelching undercurrents, such as in the title piece “Morse Disco.” The tracks have a number of influences embedded in them. There is a clinical aspect in here, almost a Drexiyan feel, that lies alongside autumnal analogue bars that sound straight from Suction Records or the hand of Bochum Welt…

Hidden deep within Ennio Morricone’s vast discography, far from his overground cinematic successes and accomplished pop dalliances, far from the sheen and glare of Cinecittà and Hollywood, lays the maestro’s most singular and most strikingly beautiful recording.

Technical death metal pioneers Deeds of Flesh return after a seven year hiatus with their 9th studio album NUCLEUS, set for release via Unique Leader Records on 11TH DECEMBER 2020. The band’s first release since the tragic passing guitarist / vocalist and Unique Leader founder Erik Lindmark, who lost a battle with Sclerosis 2018, Nucleus features guest performances some of the biggest names in extreme metal to celebrate his life and contribution to metal. Vocalist Jacoby Kingston is joined by: Luc Lemay (Gorguts), John Gallagher (Dying Fetus), George “Corpsegrinder” Fisher (Cannibal Corpse), Frank Mullen (Suffocation), Matti Way (Submerged), Bill Robinson (Decrepit Birth), Dusty Boisjolie (Severed Savior, ILLUMINEGRA), Anthony Trapani (Odious Mortem), Severed Savior (Official), Obie Flett (Pathology), Robbe Kok (Disavowed), Jon Zign (Serpentian).