Ingmar Bergmann Monika

Who was Sigr Canaby? And why did the great Parisian publishers Le Clerc & Boivin, in 1741, decide to publish his Sonatas for Transverse Flute and Bass, thus immortalising the blurry figure of this nowadays obscure musician among those of fundamental late Baroque composers such as Leclair, Rameau or Blavet?

Various vocalists and lutenists specializing in the late Renaissance have constructed artificial tours of the European continent, but soprano Monika Mauch and lutenist Nigel North rely here on an original source to do the same thing. They emerge with a superior product in every way. The original source in question is the book whose cover text is reproduced on the back cover of the CD box: Robert Dowland's A Musical Banquet, published in London in 1610. Robert Dowland was John Dowland's son, and he had a lot of help in this enterprise from his famous father.

Praise of the beauty of nature and eternal life are the subjects of the sacred poems by B. H. Brockes which Handel set to music in his "Nine German Arias". In these nine pieces for soprano and a small group of instruments, to be chosen at will, Handel drew in many places on music from his own operas, with the voice part in the German arias adapted to be less virtuosic and more deeply expressive. The "Three German Arias", recorded for the first time on this CD, by Johann Mattheson, which were formerly attributed to Handel, are a real discovery for the repertoire. The soprano Monika Mauch is accompanied in her beautiful interpretation of the arias by the specialist ensemble L'arpa festante.