Ingrid Rojas Contreas

As a Chilean-born composer and pianist living in Australia, I have nurtured a penchant for bringing Latin American vernacular music into the classical concert hall. Both of these musical traditions are widespread and possess an immense canon fashioned by many an inspired composer. Just as significant, both have been greatly impacted by a myriad of interactions with vernacular music over several centuries. A brief survey of the Western tradition may identify composers such as Mozart and Beethoven engaging with Turkish music, Bartók with Eastern European folk music, or Bizet and Debussy with Spain.

Pan flutist Leo Rojas (full name: Juan Leonardo Santillia Rojas) was born in Ecuador in 1984 and is best known for winning the 2011 season of the German casting show Das Supertalent. Rojas moved to Spain in 2000 and then to Germany, living in Berlin with his Polish wife; he often performed as a street musician until a passer-by informed him about the casting show. He became a contestant in the show's fifth season, succeeding to the semi-finals with his rendition of "El Condór Pasa" (best known in a 1970 version by Simon & Garfunkel) and then winning the show with a cover of "Einsamer Hirte," a hit song written by James Last and performed by Gheorghe Zamfir in 1977.

Trumpeter Ingrid Jensen continues to pursue the edges of "in" on her second disc as leader. This time around, Jensen gets some assistance via the ever explosive drummer Bill Stewart as well as the equally searching reedman Gary Bartz. This is solid post-bop jazz that deserves a listen.

Ingrid Jensen has the talent to make a dent in the world of jazz, and her hard-edged sound on trumpet hearkens to some of the past masters such as Woody Shaw, Freddie Hubbard, and Clifford Brown. Her excellent choice of a second horn, tenor saxophonist Gary Thomas (who doubles on flute), should have been enough to catapult this recording to the top of the pack, but somehow, the somewhat placid arrangements detract from the whole. Instead of the breakthrough album that might have been, Jensen has produced a good, if fairly pedestrian, recording, one that contains moments of inspired playing but somehow leaves the listener wanting more. Jensen knows how to build tension and release it at unexpected times, and her clipped phrases highlight an otherwise ordinary set.

Canadian and Quebecoise singer Ingrid St-Pierre released a new album, Reines (Queens). The themes are homages to various women and introspection.

Saxophonist Ingrid Laubrock and pianist Aki Takase initially performed together at Jazzfest Berlin in 2016, and they turned that encounter into ongoing spirited dialogues three years later for theirs first duo disc. As with Takase`s recent solo album, Hokusai, and Laubrock's small group albums, they unravel a series of sudden twists throughout a set of brief compositions. Serious technique support that playfulness here, as does a warm mutual empathy.