Vier unterhaltsame Geschichten, in denen es um mehr oder weniger konfliktträchtige Beziehungen geht, sei es zwischen Freunden oder zwischen Partnern. Fast immer bleibt der Schluss offen, sodass sich die Texte dazu anbieten, darüber nachzudenken und zu diskutieren.
Wörterheft zum Lernwortschatz des Kurs-/Arbeitsbuchs …
I have never been much of a classical music fan (on recorded music anyway) but hearing this Fone recording it actually makes sense for the 1st time! Listening to the SACD layer the music has striking 3-dimentional naturality but more importantly, PASSION! I have never felt that classical music had passion in a CD recording, & I always felt vinyl had too low SNR for classical music. The difference between the SACD & CD layer is quite obvious, & not subtle like on some discs. Listening to the CD layer (which is very good for a CD) results in a massive loss of coherence & passion – just the reason I never enjoyed classical on CD.
Audiophile Reissue Sourced from the Original Master Tapes: Mobile Fidelity's Hybrid SACD Presents 1991 Album with Cinematic Sound and Transparent ClarityHypnotic Record Features 'Calling Elvis, 'Heavy Fuel,' and Introspective Title TrackDire Straits never made a big to-do about it's final run. In classic understated British fashion, the band simply let it's music speak for itself. And how. Originally released in September 1991, On Every Street became the group's swan song - a lasting testament to the influence, musicianship, and integrity of an ensemble whose merit has never been tainted by cash-grab reunions or farewell treks. It remains an essential part of the Dire Straits catalog and a blueprint of the distinctive U.K. roots rock the collective played for it's 15-year career.Sourced from the original master tapes and housed in mini-gatefold-LP packaging, Mobile Fidelity's hybrid SACD of On Every Street presents the album like it has always been meant to be experienced: in reference-grade audiophile sound.
Joe Walsh's catalog by this point was two albums strong and of a consistently high quality. Despite a change of lineup for So What – a wide range of musicians is used, including the Eagles' Don Henley – the sound is very similar to previous releases. A number of classic Walsh tracks are featured, including a more polished version of "Turn to Stone," originally featured on his debut album, Barnstorm, in a somewhat more riotous style. "Help Me Thru the Night," Walsh's mellowest song to date, is helped along by some fine lead and backing vocals from the band. So What sees Walsh in top form as a guitarist. Most of the nine tracks feature solos of unquestionable quality in his usual rock style. The classic rock genre that the man so well defined with his earlier albums is present here throughout, and it is pulled off with the usual unparalleled Joe Walsh ability.
The sound quality of this CD recording is fantastic, as it should be. The primary reason that I only gave it a four star rating over a five stars, is the fact that I am unfamilar with many selections, and I thought it would have a 50-50 mix of Real Jazz and Smooth Jazz. Otherwise, this SACD is really great, and I would recommend it to other lovers of Real Jazz music.