Intermezzo Spanisch A1. Kursbuch Mit Audio CD

Vocalion's reissue of classic easy-listening album by Paul Mauriat and His Orchestra, originally released in 1976 on the Philips label. Remastered from the original analogue stereo tapes for Vocalion's trademark crystal-clear sound. French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."

The Dark Side of the Moon is the eighth album by the English rock band Pink Floyd. Originally released on 1 March 1973, on the label Harvest, it built on ideas explored in the band's earlier recordings and live shows, but departs from instrumental thematic by founding member Syd Barrett. The album explores themes including conflict, greed, the passage of time, and mental illness, the latter partly inspired by Barrett's deteriorating mental state. The Dark Side of the Moon was an immediate success; it topped the Billboard Top LPs & Tapes chart for a week and remained in the chart for 741 weeks from 1973 to 1988. With an estimated 45 million copies sold, it is Pink Floyd's most commercially successful album and one of the best-selling worldwide. It produced two singles, "Money" and "Us and Them", and is the band's most popular album among fans and critics, and has been ranked as one of the greatest albums of all time.

HOME can be seen both as a homage to and as a statement of belonging to northern Norway, with it's naked landscape and it's Arctic location. The title can also allude to a quest for identity, both from a personal and from an artistic perspective. All these sentiments and aspirations find expression in the music on this album. Many of the pieces here are interpretations of well-known themes, while others are original compositions by Hoff. Some of the pieces are completely improvisatory.

For 40 years Allan Taylor, has been considered as the consummate performer, a writer of literary gracefulness whose troubadour chronicles encapsulate the realism of otherwise unsung heroes, otherwise uncharted lives. On previous albums Allan Taylor sang songs about the road, about all the different countries and all the hotel rooms. All Is One goes deeper - into time and ultimately to the recognition that All Is One. A powerful philosophical statement delivered with virtuoso lightness. Someone who is approaching 70 and calls his album All Is One obviously has something to say. Taylor plays his favorite Martin guitars with the same sensitivity for body, expression and autonomy which one finds in his vocal performance - always moving, and never merely vague. In the last song Allan Taylor summarizes: ''I may not be the perfect man, I guess I'll do the best I can'' - and ends the album with the bemused lightness of a simple D-major chord.