Interviu 25 Noviembre 1 Diciembre 2013 Pdf

Benjamin Koppel, Danish Jazz saxophonist and composer, is one of the most award-winning musicians of his generation, renowned for his versatility and virtuosity. 'Illuminations' is the first album in the series 'Living Room Recordings'. Inspired by the visionary French poet Arthur Rimbaud’s unfinished poetry collection Illuminations (1874), this is an elegant, animated collaboration between two brilliant musicians. The compositions are written and played by Danish saxophonist Benjamin Koppel, with the great Frenchman Jean-Michel Pilc on piano, and are rich with celebration of French culture and philosophy, its sophistication and history…

VIVARTE is the legendary Sony Classical period music label known for producing outstanding recordings on period instruments. The recordings by legendary producer Wolf Erichson are made with the best recording technologies available and by one of the best production teams in the world (Tritonus Music Production, Stuttgart). The collection contains a perfect overview of VIVARTE's legendary catalogue ranging from Vivaldi to Brahms including recordings with specialists in historically informed performance practice such as Anner Bylsma, Gustav Leonhardt, Tafelmusik, Huelgas Ensemble, L'Archibudelli among others. Many of the recordings received critical acclaim all over the world and won prestigious awards. This box set includes CDs presented in paper sleeves with the original artwork, a 250 page booklet with track listings and the original liner notes for each recording.

The Modern Jazz Quartet - At Music Inn, Vol. 1 (1956) {2013 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 229 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 600 dpi (jpg) -> 111 Mb | 5% repair rar | 24-bit remaster
© 1965, 2013 Atlantic / Rhino / Warner Japan / WEA | WPCR-27203 | Jazz Best Collection 1000 Series
Jazz / Cool / Third Stream

The first of two albums the Modern Jazz Quartet recorded at the Music Inn in Lenox, MS, this LP is highlighted by "Oh Bess, Oh Where's My Bess," "Two Degrees East, Three Degrees West," "A Morning in Paris," and "England's Carol" which is the MJQ's reworking of "God Rest Ye Merry, Gentlemen." Clarinetist Jimmy Giuffre sits in with the group successfully on three numbers; best is "Fun." This is a worthwhile outing that has not yet been reissued on CD.

Elvin Jones - Live At The Lighthouse Vol.1 (1972) {2013 Japanese BNLA Series 24-bit Remaster TOCJ-50536}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 483 Mb | MP3 @320 -> 177 Mb
Full Artwork @ 600 dpi (png) -> 186 Mb | 5% repair rar | 24-bit remaster
© 1972, 2013 Blue Note / EMI Music Japan | TOCJ-50536
Jazz / Hard Bop / Post Bop / Avant-Garde Jazz / Drums

Easily the most hard-hitting of Blue Note's 2LP Lighthouse Live series from the early 70s – and a record that really lets Elvin Jones and his group stretch out and play! The setting is a perfect one for Jones – given the boundless energy already present on his studio sessions for Blue Note at the time – really fierce work that goes beyond even his classic Coltrane performances – pushing the limits in a sweet blend of rhythm and reeds! The group here is Elvin's razor-edge combo from the early 70s – the one that features Gene Perla on fat funky bass, and both Steve Grossman and Dave Liebman playing choppy reeds along with the grooves – really amazing hornmen at this point in their career, blowing here with interplay that's simply fantastic!

The Radio Legacy is a compilation of the seven part Anthology of the Royal Concertgebouw Orchestra, the four box sets devoted to the orchestra s chief conductors Willem Mengelberg, Eduard van Beinum, Bernard Haitink and Riccardo Chailly, and also featuring more recent recordings with Mariss Jansons.

In East Germany in the early 1970’s Martin Zeichnete worked as a sound editor for DEFA, (Deutsche Film-Aktiengesellschaft), the state-owned film studio. Like many young East Germans of the time he would listen furtively to West German radio at night and became infatuated with the Kosmische Musik or ‘Krautrock’ epitomised by the likes of Kraftwerk, Neu! and Cluster emerging from his neighbouring country. Martin, a keen runner, hit upon the idea of using the repetitive, motorik beats of this new music as a training aid for athletes. He thought it could benefit the mind as well as the body with the pulsing, hypnotic music bringing focus. A ‘borrowed’ prototype of Andreas Pavel’s Stereobelt showed Martin the technology to provide music on the move already existed and could easily be adapted for runners.