Official Release #103. Performed/Arranged/Conducted by Frank Zappa. Road Tapes, Venue #3 features two complete shows from Tyrone Guthrie Theater in Minneapolis, MN. The July '70 Mothers line-up featured Flo & Eddie, George Duke, Ian Underwood, Aynsley Dunbar & Jeff Simmons. FZ's vast Vault does not contain many full shows from this time period, so that alone makes this release a special one. The tapes were recorded to stereo reel-to-reel, but not without problems. Due to their historical relevance, we felt it was worth it, warts 'n all! Venue #3 does not disappoint.
The Velvet Underground are arguably the most important American band of the second half of the '60s, but few seemed to think so at the time. The Velvets flew under the radar of public recognition through most of their career, and no one bothered to professionally record their live shows between 1966 and 1970…
The Garden Tapes: The Song Remains The Same Concerts (Expanded And Revisited Collector's Edition) is Empress Valley's newest deluxe title collecting all available sources from July 27th to 29th, 1973 recorded during final thre nights of ninth US tour in New York…
A monumental 85-minute organ improvisation for the music for the film-documentary "Congo Safari" by Marcel Isy-Schwart.
The work of Louis Vierne, organist at Notre-Dame de Paris and master of the symphonic instrument, is reflected here in all its rich variety: from the poetic Pièces en style libre – in previously unissued recordings appearing here for the very first time – to his final masterpiece, the monumental Sixth Symphony, via the virtuosic and world-famous Pièces de fantaisie. All are performed here on the little-recorded instrument of the Parisian church of Saint-François-Xavier by its organist Gaston Litaize, who studied with Vierne and went on to become a prolific composer himself. The recordings have been remastered in 24-bit/192kHz sound from the original tapes.
Gulda plays Bach at the clavichord. It sounds so simple, and yet it holds a wealth of musical depth and expression. In about 1978, the famous pianist Friedrich Gulda recorded his clavichord playing on various different occasions: at intimate concerts or during his morning practice, when he buried himself in the music as if at a séance – and from the unique combination of brilliant musician, eloquent instrument and eminent composer grew something quite special.