The veteran blue-eyed soul singer has been busy since 1995 (the year he released his last literal pop album, Soul Survivor), recording albums of standards along with his Frank Sinatra and Bobby Darin-styled soundtrack work and counting the royalties from the 100 or so covers or samples of his best-known hit, "What You Won't Do for Love" – so preoccupied, in fact, that's it's been easy to forget just how skilled he is at delivering easygoing romantic pop, whether it's funky and percussive (as on the brassy, bouncy "Call Me Up"), perfect for Latin salsa dancing (the balmy "Donna"), or simply laid-back and moonlit (the title track).
Hearts on Fire is Baker Gurvitz Army's third and last studio album, released in 1976. Baker Gurvitz Army were an English rock group. Their self-titled debut album featured a blend of hard rock laced with Ginger Baker's jazz- and Afrobeat-influenced drumming. The lengthy "Mad Jack" was that album's outstanding track, and the album hit the US Billboard 200 chart, and peaked at number 22 in the UK Albums Chart. The two following albums contained similar material, although neither charted in the UK nor the US.
Cyndi Lauper looks back at her hits on The Body Acoustic, with a number of guests including Adam Lazzara, Shaggy, Sarah McLachlan, Vivian Green, Ani DiFranco, and Jeff Beck. Conceptually, this looks like a disaster. Alanis Morissette did it as well and the results were mixed at best. But Lauper has always possessed a talent that goes beyond the material she has sung – and she can sing anything. The album is produced by Lauper with Rick Chertoff and William Wittman – who recorded and mixed the disc. Lauper's band is a wide and varied assortment that includes contemporary jazz bassist Mark Egan. "Money Changes Everything," with Lazzara, is a down-home calypso and country ramble. "All Through the Night," with Shaggy, begins as an Appalachian folk tune until Shaggy begins toasting and Lauper shifts it into ballad gear. It's a conflicting set of styles that's held together in the genuine ache of her voice.
The songwriting core of '80s supergroup Asia was vocalist/bassist John Wetton and keyboardist Geoffrey Downes. Guitarist Steve Howe and drummer Carl Palmer contributed to the awesome whole, but virtually every song on 1982's number-one behemoth Asia and 1983's Alpha were officially credited to Wetton and Downes. After the original lineup splintered following those two albums, Downes continued to lead various incarnations of the group with occasional, gradually dwindling involvement from the others. Wetton and Downes resumed writing together from time to time, and finally pooled their talents to record 2005's Icon, which is what they also named this duo project itself.
TRIX was formed in 2004, led by drummer Noriaki Kumagai (ex-Casiopea), with bassist Mitsuru Sutoh (ex-T-Square) and now guitarist Yuya Komoguchi and keyboardist AYAKI has joined the group. Their very ear-catcy music with thrilling techniques, and entertaining stage performance have been widely accepted among fans. Some of their songs are featured as the main theme of TV programs.
Although it took more than a year of concerts and promotional appearances, Michael Bublé's 2003 debut disc of swinging pop standards finally ascended the Billboard album chart and landed at number 47. That peak may not seem impressive at first, but in a musical world dominated by rap or the latest flavor of alternative rock, Bublé's upper chart appearance was a real accomplishment and it sparked a renewed interest in music associated with great vocalists like Frank Sinatra. With his second studio disc, It's Time, Bublé builds upon the musical foundation he laid with his debut and demonstrates that he is much more than a flavor-of-the-month celebrity. Like his debut, It's Time mines the rich history of pop music as Bublé applies his own technique to classic standards and incorporates his Rat Pack sound into modern pop songs.
Deep Purple's 2005 album Rapture of the Deep generally maintains the quality of 2003's surprisingly sturdy Bananas. It's the second release from the re-energized lineup of vocalist Ian Gillan, guitarist Steve Morse, bass guitarist Roger Glover, drummer Ian Paice, and keyboardist Don Airey, who replaced the retired Jon Lord…
In 1977, after three years' time off working on various solo projects – which were to have culminated with a trio of solo albums – Emerson, Lake & Palmer reunited to release Works, Vol. 1, a double LP containing the best of the solo works plus a side of group-conceived pieces. All in all, it was the most ambitious and wide-ranging body of music they'd ever released, and was followed by the more modestly proportioned but still successful Works, Vol. 2 in November of that year, and a tour that fall and winter; in keeping with the albums that spawned it, the concerts initially featured a 90-piece orchestra supporting the trio…
Upon its release, the 1973 LP Brain Salad Surgery had been hailed as Emerson, Lake & Palmer's masterpiece. A long tour ensued that left the trio flushed and begging for time off. Before disbanding for three years, they assembled a three-LP live set (something of a badge of achievement at the time, earned by Yes in 1973 with Yessongs and, somewhat more dubiously, Leon Russell with Leon Live)…