Ira Madiyama August Sun (2003)

Concert for George is a live tribute soundtrack album in honour of George Harrison, issued in 2003 in conjunction with the simultaneous DVD release of the same name. Featuring performances of many of Harrison's best-known songs, played by his closest musician friends, Concert for George is considered a fitting and heartfelt celebration of Harrison's considerable career…

Sixty Six to Timbuktu has to be the icing on the cake for Robert Plant. After Led Zeppelin issued its second live album as well as a spectacular DVD in 2003, his career retrospective outside of the band is the new archetype for how they should be compiled. Containing two discs and 35 cuts, the set is divided with distinction. Disc one contains 16 tracks that cover Plant's post-Zep recording career via cuts from his eight solo albums. Along with the obvious weight of his former band's presence on cuts like "Tall Cool One," "Promised Land," and "Tie Dye on the Highway," there is also the flowering of the influence that Moroccan music in particular and Eastern music in general would have on him in readings of Tim Hardin's "If I Were a Carpenter," Jesse Colin Young's "Darkness, Darkness," and his own "29 Palms." There is also a healthy interest in technology being opened up on cuts from Pictures at Eleven and Now & Zen…

"The Nymphs" tells the story of a wandering mortal who ends up in the realm of the Queen of the Nymphs. The late Scottish entertainer Jimmy Logan narrates the story, interwoven with hauntingly beautiful music composed by Jan Kisjes and magical poems recited by Bryan Maguire. The combination of story, music and poems results in a fairytale decor. The package also contains a second music-only CD.

A little less than eight years after it occurred, Concord Records issued this concert, originally broadcast on German radio, from Gerry Mulligan's last European tour, performed less than a year before his death. Mulligan appears with his regular band of the time – pianist Ted Rosenthal, bassist Dean Johnson, and drummer Ron Vincent – playing a group of originals that serve as springboards for his lyrical style of baritone saxophone playing. The group, which had been together for several years at this point, plays smoothly, offering excellent support to the leader. A special treat is the final track, a version of "These Foolish Things" on which Mulligan duets with guest star Dave Brubeck. The album demonstrates that, in his maturity, Mulligan continued to live up to the standards he had set for himself across a career stretching back 45 years. There are no real revelations this late in the game, but Mulligan and the band play with the assurance of veterans.

Few stars of the '60s reinvented themselves as successfully as Marianne Faithfull. Coaxed into a singing career by Rolling Stones manager Andrew Loog Oldham in 1964, she had a big hit in both Britain and the U.S. with her debut single, the Jagger/Richards composition "As Tears Go By" (which prefaced the Stones' own version by a full year)…

The 2013 re-release features new keyboard arrangements and was completely remixed and remastered by David Castillo, as the band wasn't satisfied with the overall sound and production of the original release.
The Swedish kings of gloom and doom return with perhaps their mst balanced outing yet. Two years after Discouraged Ones marked a turn from the dark metallic mayhem of earlier records uch as Dance of December Souls and Brave Murder Day, it was 2000's Tonight's Decision and 2001's Last Fair Deal Gone Down that carved out the uniqueness in their sound. Here are equal parts dark gothic pop, crushing heavy rock, textured keyboards, lithe pop melodies, beautifully crafted songs with unique dynamics and sculpted sonic environments to surround them, and bleak, even morose subject matter…

Calling something "The Ultimate Collection" is fraught with problems – usually of omission. Certainly over these two discs – containing a total of 30 tracks – there are plenty of fine moments from some of Joe Cocker's earliest material, such as "The Letter," "With a Little Help From My Friends," "Delta Lady," "She Came In Through the Bathroom Window," etc. Also present are virtually all of his later hits and some that should have been: "Up Where We Belong," "You Are So Beautiful," "Many Rivers to Cross," "Leave Your Hat On," etc. But there's just too much that isn't here. Where are "Bird on a Wire" and "Hitchcock Railway," for starters? Nonetheless, given the length of Cocker's career, this is not an unusual complaint. One thing that is unique about this set – other than the fine sound – is the sequencing that crisscrosses over the breadth and chronology of Cocker's discography.