Island Vibes, Broad Records

Monk Montgomery - Reality (1974) {2013 Remastered & Expanded - Big Break Records CDBBR 0243}
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© 1974, 2013 Philadelphia International / Big Break Records | CDBBR 0243
Jazz / Jazz Funk / Crossover Jazz / Bass

Digitally remastered edition of the Jazz bassist's 1974 album. Monk Montgomery is widely recognized as being perhaps the first electric bassist of any real significance to Jazz and introduced the Fender Precision Bass to the genre around 1951 however he is more famously seen playing the Fender Jazz Bass which would become his signature instrument alongside his use of a double bass. Monk Montgomery released a number of solo albums and in 1974 found himself signed to the legendary Philadelphia International Records where he released his fourth studio album, Reality. The album was produced by Bobby Martin who also lends his musical skills on the Fender Rhodes alongside Ron Kersey on guitar and Vince Montana on the vibraphone. Liner notes by Discussions Magazine's Stephen SPAZ Schnee.

Bessie Jones, John Davis, and the Georgia Sea Island Singers gained wide renown during the 1960s and ‘70s for their powerful performances of traditional songs from the African American Gullah Geechee community on St. Simons Island, Georgia. Most in the group were born and raised on St. Simons, and could trace their ancestry to the enslaved West and Central Africans who worked on the island’s cotton plantations. Throughout the ‘60s, the Georgia Sea Island Singers were prominent voices in the civil rights movement, bringing hundreds of years of Black musical tradition to bear on a pivotal time in American history. This previously unheard recording captures their complete Friends of Old Time Music concert of April 1965, at which they were joined by legendary bluesman Mississippi Fred McDowell, cane fife player Ed Young, and folklorist Alan Lomax, who acted as emcee.

Bessie Jones, John Davis, and the Georgia Sea Island Singers gained wide renown during the 1960s and ‘70s for their powerful performances of traditional songs from the African American Gullah Geechee community on St. Simons Island, Georgia. Most in the group were born and raised on St. Simons, and could trace their ancestry to the enslaved West and Central Africans who worked on the island’s cotton plantations. Throughout the ‘60s, the Georgia Sea Island Singers were prominent voices in the civil rights movement, bringing hundreds of years of Black musical tradition to bear on a pivotal time in American history. This previously unheard recording captures their complete Friends of Old Time Music concert of April 1965, at which they were joined by legendary bluesman Mississippi Fred McDowell, cane fife player Ed Young, and folklorist Alan Lomax, who acted as emcee.

Bessie Jones, John Davis, and the Georgia Sea Island Singers gained wide renown during the 1960s and ‘70s for their powerful performances of traditional songs from the African American Gullah Geechee community on St. Simons Island, Georgia. Most in the group were born and raised on St. Simons, and could trace their ancestry to the enslaved West and Central Africans who worked on the island’s cotton plantations. Throughout the ‘60s, the Georgia Sea Island Singers were prominent voices in the civil rights movement, bringing hundreds of years of Black musical tradition to bear on a pivotal time in American history. This previously unheard recording captures their complete Friends of Old Time Music concert of April 1965, at which they were joined by legendary bluesman Mississippi Fred McDowell, cane fife player Ed Young, and folklorist Alan Lomax, who acted as emcee.

The Turtle Island String Quartet was not the first group of its kind to record jazz, but they have easily outclassed their competition in the years following this impressive debut recording. Each of the players is an accomplished soloist and also excels whether bowing, playing pizzicato, or playing percussion with their instruments.

The Turtle Island String Quartet was not the first group of its kind to record jazz, but they have easily outclassed their competition in the years following this impressive debut recording. Each of the players is an accomplished soloist and also excels whether bowing, playing pizzicato, or playing percussion with their instruments.

The Turtle Island String Quartet was not the first group of its kind to record jazz, but they have easily outclassed their competition in the years following this impressive debut recording. Each of the players is an accomplished soloist and also excels whether bowing, playing pizzicato, or playing percussion with their instruments.