Ismail Sahar Mustafah

These young musicians from Egypt, Turkey, Portugal and Italy bridge the distance between the shores and sonic worlds of a rapidly changing region. Their first album, recorded in Paris, blends both timbres and backgrounds in a unique artistic collaboration with Festival d’Aix-en-Provence, supported by Abu Dhabi Festival. The composition process is a compromise between the written score — the notes on the stave — with an exclusively oral tradition, in which the theme is developed only by those taking part, first by listening to it and then by repeating it. Their music is influenced by the folk music of each country and by much improvisation and jazz, and uses melodies from the European classical tradition blended with rhythms and instruments of the Middle East.

Over the past 15 years, Tunisian oud master Anouar Brahem has assembled a relatively small but profound body of work. A skilled improviser who refuses to be part of the historical authenticity argument, Brahem works from the same trio setting that performed on Le Pas du Chat Noir in 2002, with pianist François Couturier and accordionist Jean-Louis Matinier. The dialogue between these players is, despite the sparseness of the music and the considerable space employed, intense. The deep listening necessary in the improvised sections allows for a natural flow of ideas to emerge from silence. The compositions themselves are skeletal, with repeating, slowly evolving vamps and lyric lines.