It's Christmas Time

In the dense annual blizzard of holiday albums, A VERY SPECIAL ACOUSTIC CHRISTMAS shines like a gleaming treetop star from a warm, inviting living room, thanks to its organic, no-frills approach and its remarkable lineup of performers. Dan Tyminski (of O BROTHER, WHERE ART THOU? fame) offers up a charming version of "Frosty the Snowman," while Willie Nelson lends his legendary voice and guitar playing to a fine take on "Please Come Home for Christmas." Alison Krauss contributes her surprisingly poppy "Only You Can Bring Me Cheer (Gentleman's Lady)," Marty Stuart confides that "Even Santa Claus Gets the Blues," and Pat Green saunters through a relaxed "Winter Wonderland." Bringing the Yuletide album to an appropriate close is Norah Jones, in a beautiful solo rendition of Horace Silver's "Peace".

A holiday compilation with a difference, this assembles a couple dozen Christmas-themed recordings from 1917-1959 that represent roots music of all stripes – blues, gospel, early jazz, early country, Appalachian folk, and even some ethnic sounds of Trinidad, Puerto Rico, Italy, and Ukraine. There are some pretty famous names here, like Leadbelly, Bessie Smith, and Lightnin' Hopkins, as well as some artists who are not as famous but still pretty renowned, like Rev. J.M. Gates, Buell Kazee, and the Maddox Brothers & Rose.

With his new album “Christmas”, trumpeter Till Brönner in trio with pianist Frank Chastenier and bassist Christian von Kaphengst creates a puristic album full of chamber music intensity and refreshing expansiveness. Songs from different decades and genres like “Jesus to Child”, “Ich steh an deiner Krippe hier” or “Jingle Bells” combine them to an intimate listening experience. Relevant art is always a mirror of its time and the circumstances in which it is created.