It's Eric Reed

CDs from this collection began to appear in the sale of one after the other in early 1998. The collection was designed primarily for fans of blues and those wishing to join him in France, Canada and other French-speaking countries, as its literary part was originally made in French and it seems and has not been translated into other languages.

Blending the literate and expressive lyrical style of a classic singer/songwriter with music rooted in indie rock, Joseph Arthur is a well-respected songwriter and performer whose work has impressed critics as well as artists such as Peter Gabriel and Michael Stipe. Arthur's original goal was to become a hotshot bass player, but exposure to Bob Dylan and Kurt Cobain prompted him to take up songwriting, and in 1996, he self-released an EP that made its way to Peter Gabriel, who signed Arthur to his Real World label. 1997's challenging Big City Secrets and 2000's rootsy Come to Where I'm From impressed critics and discriminating listeners, and 2004's Our Shadows Will Remain found him digging even deeper into his confessional tales. With 2007's Let's Just Be, Arthur launched his own record label, Lonely Astronaut, giving him greater control over his music as he recorded idiosyncratic projects such as 2013's The Ballad of Boogie Christ and 2014's Lou (the latter a collection of Lou Reed covers).

Time Life was founded in 1961 as the book division of Time Inc.. It took its name from Time Inc.'s cornerstone magazines, Time and Life, but remained independent of both. During 1966, Time Life combined its book offerings with music collections (two to five records) and packaged them as a sturdy box set. Throughout the 1970s and 1980s, the selection of books, music and videos grew and was diversified into more genres. When record labels stopped producing vinyl albums in 1990, Time Life switched to CD only. In the mid-1990s, Time Life acquired Heartland Music, with the Heartland Music label now appearing as a brand. This company was subsequently sold off and is no longer attached to Time Life.

Time Life was founded in 1961 as the book division of Time Inc.. It took its name from Time Inc.'s cornerstone magazines, Time and Life, but remained independent of both. During 1966, Time Life combined its book offerings with music collections (two to five records) and packaged them as a sturdy box set. Throughout the 1970s and 1980s, the selection of books, music and videos grew and was diversified into more genres. When record labels stopped producing vinyl albums in 1990, Time Life switched to CD only. In the mid-1990s, Time Life acquired Heartland Music, with the Heartland Music label now appearing as a brand. This company was subsequently sold off and is no longer attached to Time Life.

If you are looking for a collection of romantic songs to be played while having a drive or a walk with your romantic interest or even by yourself, this is the one to have: issued by the European Sony/Bravo label, it focuses on the songs who were on the radio in the 80's. If you are a "son of the 80's" and enjoy music to awaken your contemplative and quietest side, buy it! While hard to find outside the US, it is worth having.

Follow-up volumes appeared in 1993 and 1996, extending the time period to 1979 and with additional songs from the 1972-76 period, available on cassette or CD (ALL 25 volumes were issued in both formats). Each volume has twelve songs. Despite the greater capacity of compact discs, the running time of each of the volumes is no longer than the limit of vinyl records in the 1970s, from 38 to 45 minutes long.

Even before the first KuschelRock album, Kuschelrock was named as a weekly nightly music program for HR3 radio station (HR3 broadcasts from Frankfurt, Germany), the author and host of this project was Thomas Koschwitz, who is considered to be the co-author of a number of albums in Kazle … After Sony Music patented the right to release a series of albums called "KuschelRock", the HR3 radio station can no longer air this night music show … And now Sony Music regularly releases every year on the album …

Spanning four discs and nearly 100 tracks, Dreams is one of those rare box sets that tells a story while delivering the definitive word on its subject. Its success has a lot to do with its status as Polygram/Bill Levinson's sequel to the acclaimed hit Crossroads, which summarized Eric Clapton's winding career perfectly. They follow the same approach here, gathering pre-Allman's recordings from the clan, including cuts by the Allman Joys, selecting the hits from the classic years, and adding stray cuts by solo projects to the mix. It's a smart move and it results in a terrific box that truly offers the definitive word on one of the longest-running dramas in Southern rock. Yes, the Allmans reunited rather successfully after this box, so none of that material is here, but it's not missed – this is the story of the band. AMG