It's Go Time

Crash Bandicoot 4 Its About Time (2021)  Games

Posted by silva1410 at March 28, 2021
Crash Bandicoot 4 Its About Time (2021)

Crash Bandicoot 4 Its About Time (2021)
PC Game | Developer: Aleksandr Kolesnyk | Publisher: Wilson Games | 22.7 GB
Languages: English
Genre: Action, Indie | Release Date: 25 Mar, 2021

Crash Bandicoot 4: It’s About Time delivers a brand new installment into the franchise, picking up after the events of Crash Bandicoot: Warped. Neo Cortex and N. Tropy are back at it again and launching an all-out assault on not just this universe, but the entire multiverse! Crash and Coco are here to save the day by reuniting the four Quantum Masks and bending the rules of reality

Crash Bandicoot 4 Its About Time (2021) Update v1.1.04062021  Games

Posted by silva1410 at April 12, 2021
Crash Bandicoot 4 Its About Time (2021) Update v1.1.04062021

Crash Bandicoot 4 Its About Time (2021) Update v1.1.04062021
PC Game | Developer: Aleksandr Kolesnyk | Publisher: Wilson Games | 263 MB
Languages: English
Genre: Action, Indie | Release Date: 25 Mar, 2021

Crash Bandicoot 4: It’s About Time delivers a brand new installment into the franchise, picking up after the events of Crash Bandicoot: Warped. Neo Cortex and N. Tropy are back at it again and launching an all-out assault on not just this universe, but the entire multiverse! Crash and Coco are here to save the day by reuniting the four Quantum Masks and bending the rules of reality

V.A.- Time Life - Sounds of the Eighties Collection (25CDs, 1994-1996)  Music

Posted by Discograf_man at Jan. 24, 2020
V.A.- Time Life - Sounds of the Eighties Collection (25CDs, 1994-1996)

V.A.- Time Life - Sounds of the Eighties Collection (25CDs, 1994-1996)
EAC Rip | FLAC (*tracks+.cue+.log, covers) | Run Time: 30:10:23 | 12,14 Gb | Covers 36,26 Mb
Genre: Pop Rock, Soul, Disco, Soft Rock, Rhythm & Blues | Label: Time-Life Music

Time Life was founded in 1961 as the book division of Time Inc.. It took its name from Time Inc.'s cornerstone magazines, Time and Life, but remained independent of both. During 1966, Time Life combined its book offerings with music collections (two to five records) and packaged them as a sturdy box set. Throughout the 1970s and 1980s, the selection of books, music and videos grew and was diversified into more genres. When record labels stopped producing vinyl albums in 1990, Time Life switched to CD only. In the mid-1990s, Time Life acquired Heartland Music, with the Heartland Music label now appearing as a brand. This company was subsequently sold off and is no longer attached to Time Life.

V.A.- Time Life - Sounds of the Eighties Collection (25CDs, 1994-1996)  Music

Posted by Discograf_man at Jan. 24, 2020
V.A.- Time Life - Sounds of the Eighties Collection (25CDs, 1994-1996)

V.A.- Time Life - Sounds of the Eighties Collection (25CDs, 1994-1996)
MP3 CBR 320 kbps | Run Time: 30:10:23 | 4,27 Gb | Covers 36,26 Mb
Genre: Pop Rock, Soul, Disco, Soft Rock, Rhythm & Blues | Label: Time-Life Music

Time Life was founded in 1961 as the book division of Time Inc.. It took its name from Time Inc.'s cornerstone magazines, Time and Life, but remained independent of both. During 1966, Time Life combined its book offerings with music collections (two to five records) and packaged them as a sturdy box set. Throughout the 1970s and 1980s, the selection of books, music and videos grew and was diversified into more genres. When record labels stopped producing vinyl albums in 1990, Time Life switched to CD only. In the mid-1990s, Time Life acquired Heartland Music, with the Heartland Music label now appearing as a brand. This company was subsequently sold off and is no longer attached to Time Life.

Go-Go's - Return To The Valley Of The Go-Go's (1994) 2CDs  Music

Posted by Designol at July 22, 2023
Go-Go's - Return To The Valley Of The Go-Go's (1994) 2CDs

Go-Go's - Return To The Valley Of The Go-Go's (1994) 2CDs
EAC | FLAC | Tracks (Cue&Log) ~ 729 Mb | Mp3 (CBR320) ~ 253 Mb | Scans ~ 43 Mb
New Wave, Punk Rock, Pop/Rock | Label: I.R.S. | # X2 29694 | Time: 01:50:44

Of all the various best-ofs and compilations that have come out over time that cover the Go-Go's career, this one is the clearest winner, by a long shot. Though by default it doesn't tell the full story, appearing as it did in 1994, in terms of containing both the famous hits and a slew of rarities and unreleased tracks, Return to the Valley of the Go-Go's is equally valuable for both neophytes and hardcore fans. The first 11 tracks alone make for an entertaining peek into the band's earliest days, with a slew of live cuts from both early rehearsals and gigs, including a number of songs taped at the legendary SF punk venue the Mabuhay Gardens. Everything's rough, energetic, and merry fun – while it's no surprise why some compositions remained unheard in later years, it's still worth hearing how the group pureed everything from straight-up punk to spaghetti Western guitar and girl group right from the start. A real treat is a romp through "Johnny, Are You Queer?" which would later get a more famous (and much more sedate!) take by Josie Cotton. Plenty of rare B-sides from the group's commercially dominant days surface here and there, and as for the big hits, they're available a-plenty: "We Got the Beat," "Vacation," "Our Lips Are Sealed," "Head Over Heels," "Turn to You," and more. Choice album cuts include "Skidmarks on My Heart" and "This Town".
VA - The Red Bird Girls Very First Time In True Stereo 1964-1966 (2012)

VA - The Red Bird Girls Very First Time In True Stereo 1964-1966 (2012)
XLD Rip | FLAC (tracks, cue, log) - 479 MB | MP3 CBR 320 kbps - 185 MB
1:19:47 | Soul, Pop | Label: Real Gone Music

From Real Gone Music comes a discovery that already has the collector community buzzing, and especially those collectors in search of previously unheard stereo–20 tracks discovered deep in the vaults of the Red Bird label, every one of which makes its true stereo debut right here! Founded in 1964 by Jerry Leiber and Mike Stoller, and run by George Goldner, Red Bird is considered to this day as the girl group label of the '60s, and this collection produced by long-time archivist and engineer Ron Furmanek together with Ash Wells and annotated by James Moniz features the biggest stars on the label roster, and sources its first-time stereo mixes straight from the original master tapes. Among the most notable tracks are Call Me His, a totally unknown and unreleased recording from the great Ellie Greenwich written by a neophyte songwriter named Neil Diamond; an early, unreleased version of The Boy from New York City, recorded by the Ad-Libs back when they were known as The Cheerio's; Go Now by Bessie Banks, a song that became a big hit for The Moody Blues a year later, and I Can t Let Go by Evie Sands, which, similarly, became a hit for the Hollies; I Wanna Love Him So Bad by The Jelly Beans featuring a rare lead vocal from Alma Brewer, and The Young Generation's The Hideaway featuring a very young Janis Siegel before she became a superstar with Manhattan Transfer. Meticulously documented inside a 16-page booklet boasting copious photos and interviews with Siegel, Sands and songwriter/producer Brooks Arthur among many others, The Red Bird Girls Very First Time in True Stereo sheds a new light on the genius artists, songwriters and producers that recorded for the Red Bird label, and displays their work in all its sonic stereo glory.
The Go-Betweens - Tallulah (Remastered) (1987/2020) [Official Digital Download]

The Go-Betweens - Tallulah (Remastered) (1987/2020)
FLAC (tracks) 24-bit/44.1 kHz | Time - 38:53 minutes | 506 MB
Studio Master, Official Digital Download | Artwork: Front cover

Tallulah, the Go-Betweens fifth album, was supposed to be the band's breakthrough recording in America. That said, its sound is nearly a full-on break with the edginess that began to fade on 1986's Liberty Belle and The Black Diamond Express. More lush, rounded, and polished, it sounds like a record made in the mid-'80s thanks in large part to Lindy Morrison's use of drum programs in addition to her trap kit. Add to this the contributions of new member Amanda Brown on violin, oboe, and backing vocals and one has a revamped band. Fans didn't take to the new sound with kindness initially, but the songwriting of Forster and McLennan was so much more focused and taut, it more than compensates for production errors.
Smokey Robinson & The Miracles - Time Out (1969) & Four In Blue (1969) [2001, Remastered Reissue]

Smokey Robinson & The Miracles - Time Out (1969) & Four In Blue (1969) [2001, Remastered Reissue]
R&B, Soul, Pop-Soul, Motown | EAC Rip | FLAC, Tracks+CUE+LOG+Scans (JPEG) | 01:19:08 | 567,25 Mb
Label: Motown/Universal MCA Music (UK) Ltd. (UK) | Cat.# 013186-2 | Released: 2001-06-26 (1969)

Berry Gordy hated these two-fers: too much for too little money; but he doesn't own the masters anymore and Universal International has revitalized the concept via digitally remastered CDs. This combo features Time Out, which spawned the hits "Doggone Right," "Baby, Baby Don't Cry," "Abraham, Martin & John," the popular B-side "Here I Go Again," an uptempo take of "My Girl," and two fine Smokey Robinson songs: "Once I Got to Know You (Couldn't Help But Love You)" and "I'll Take You Anyway That You Come." Four in Blue, aka the Miracles' forgotten album, has some good moments that few know about because none of its tracks emerged as single; not even a B-side. "You Send Me (With Your Good Loving)" sounds like a hit; "When Nobody Cares," a cry for racial tolerance; "Don't Say You Love Me," a great Richard Morris production; and Holland, Dozier, Holland's "My World Is Empty." Not as arresting as Time Out, but solid.
VA - The Red Bird Girls Very First Time In True Stereo 1964-1966 (2012)

VA - The Red Bird Girls Very First Time In True Stereo 1964-1966 (2012)
FLAC (tracks) - 375 MB | MP3 CBR 320 kbps - 130 MB
56:49 | Soul, Pop | Label: Real Gone Music

From Real Gone Music comes a discovery that already has the collector community buzzing, and especially those collectors in search of previously unheard stereo–20 tracks discovered deep in the vaults of the Red Bird label, every one of which makes its true stereo debut right here! Founded in 1964 by Jerry Leiber and Mike Stoller, and run by George Goldner, Red Bird is considered to this day as the girl group label of the '60s, and this collection produced by long-time archivist and engineer Ron Furmanek together with Ash Wells and annotated by James Moniz features the biggest stars on the label roster, and sources its first-time stereo mixes straight from the original master tapes. Among the most notable tracks are Call Me His, a totally unknown and unreleased recording from the great Ellie Greenwich written by a neophyte songwriter named Neil Diamond; an early, unreleased version of The Boy from New York City, recorded by the Ad-Libs back when they were known as The Cheerio's; Go Now by Bessie Banks, a song that became a big hit for The Moody Blues a year later, and I Can t Let Go by Evie Sands, which, similarly, became a hit for the Hollies; I Wanna Love Him So Bad by The Jelly Beans featuring a rare lead vocal from Alma Brewer, and The Young Generation's The Hideaway featuring a very young Janis Siegel before she became a superstar with Manhattan Transfer. Meticulously documented inside a 16-page booklet boasting copious photos and interviews with Siegel, Sands and songwriter/producer Brooks Arthur among many others, The Red Bird Girls Very First Time in True Stereo sheds a new light on the genius artists, songwriters and producers that recorded for the Red Bird label, and displays their work in all its sonic stereo glory.
The Go-Betweens - 16 Lovers Lane (Remastered) (1988/2020) [Official Digital Download]

The Go-Betweens - 16 Lovers Lane (Remastered) (1988/2020)
FLAC (tracks) 24-bit/44.1 kHz | Time - 37:20 minutes | 463 MB
Studio Master, Official Digital Download | Artwork: Front cover

Arguably Australia's greatest pop group ever, The Go-Betweens seemed to save the best for last when they split in 1989. (They reunited in 1999, and have issued two more studio recordings since that time). 16 Lovers Lane is simply breathtaking; it is a deeply moving, aurally sensual collection of songs about relationships and the broken side of love that never lapses into cheap sentimentality or cynicism. Songwriters Robert Forster and Grant McLennan had always been visionary when it came to charting personal and relational melancholy and heartbreak, but here, their resolve focused on charting the depths of the romantic's soul when it has been disillusioned or crestfallen, is simply and convincingly taut.