The IPO has recorded a significant repertoire of masterworks during the years. In this special anniversary tribute album, you can find a representative selection of some of the orchestra’s best recordings of the last 50 years.
"…Musica Antiqua convey equal vitality and character to the two most striking rarities here. JCF Bach’s double concerto for fortepiano and viola appears as a prototype symphony with important solo interjections. Melodically unexceptional, it is nevertheless stylish in a jejune way. CPE Bach – the most iconoclastic of the sons – successfully combines the prevailing keyboard instruments of the day, harpsichord and fortepiano. Fingers fly with aplomb – and no little mischief – as one is left to ponder the impact of this last Bach generation on Mozart and Beethoven, with whom there were (and are) of course many significant connections. Goebel provides a historical wake-up call." ~Gramophone
Iconic pianist Radu Lupu has been an exclusive DECCA artist for 40 years. This all-new collection brings together for the first time all of his published solo recordings for DECCA as an integral set. It features those composers with which Lupu's name has been so closely linked throughout his career and for which he has achieved worldwide acclaim: Schubert, Beethoven, Brahms and Schumann.
To celebrate the 60th birthday (on 25 April) of Norwegian jazz pianist/composer/novelist and poet Ketil Bjornstad, ECM issues a double album as "literary soundtrack", its release also coinciding with the Norwegian publication of the one-volume edition of Bjornstad's highly-acclaimed fictional 'Vinding' trilogy, 'To Music', 'The River' and 'The Lady in the Valley'. After keeping his musical and writing activities entirely separate for decades, Renaissance Man Bjornstad dissolved the boundaries with his 'Vinding' books: "When I had the idea of writing a trilogy about the young piano student Aksel Vinding, I realised that I would have to grant music access to my world of writing. This felt surprisingly liberating, almost like a confession.
This is my second release the follow up to my 1st album Pain. It is a concept record like Dark Side of the Moon or The Wall but in more of a Blues style with many other styles in addition to that. This is the reason for the title "Musical Diary of the Hopeless Romantic" you can call it Musical Diary or The Diary for short. It seems to grow and attach to listeners the more they listen. I believe the lyric and emotion in addition to not knowing what will come next is the reason for this. This album is best listened to as a whole piece with multiple movements…
This huge set is "an initiative of Radio Netherlands (the Dutch World Service) and the Royal Concertgebouw Orchestra…" presented to Bernard Haitink on his seventieth birthday as a tribute to his consummate musicmaking." Haitink, born in Amsterdam in 1929, became joint chief Conductor of the Concertebouw in 1961, along with Eugen Jochum, and was its chief conductor from 1963 to 1988. Like his predecessor, Eduard van Beinum, Haitink also was principal conductor of the London Philharmonic Orchestra, from 1967 to 1979, and in 1978 became musical Director of the Glyndebourne Opera. Ten years later he became musical director of the Royal Opera House Covent Garden. Haitink guest conducted most of the major orchestras of the world and has received numerous awards for his services to music. In January 1999 Haitink was named "Honorary Conductor of the Royal Concertgebouw Orchestra."
Kurt Masur is a retired German conductor, particularly noted for his interpretation of German Romantic music. (…) He and his third wife, Tomoko Sakurai, have a son, Ken-David, a classical singer and conductor. Masur conducted the Dresden Philharmonic Orchestra for three years ending in 1958 and again from 1967 to 1972. He also worked with the Komische Oper of East Berlin. In 1970, he became Kapellmeister of the Gewandhausorchester Leipzig, serving in that post until 1996…