Many of Chicago's blues clubs could be described as "blues and soul clubs" because that's exactly what they are. Although blues is the main focus of those West Side, South Side, and North Side venues, so many of the artists they book include a lot of R&B in their sets. One of those soul-minded bluesmen who lives in Chi-Town is Detroit native Quintus McCormick, whose Put It on Me is a perfect example of an album that has one foot in electric urban blues and the other in soul (specifically, old-school soul of the ‘60s and '70s variety). Actually, McCormick's résumé says a lot about his musical outlook; he has been a sideman for both James Cotton and Otis Clay….
With his cheeky, disillusioned, home studio-recorded folky yet rocky songs, Brad, a 31-year-old musician from Ottawa, inevitably gets compared to Beck quite often. As much as it can be a compliment, no artist likes to be told they sound like another; but by now Brad has gotten to terms with the parallel. “It used to bother me, I took it as ‘hey you’re a crappy Beck impersonator with no ideas of your own!’ But other musicians told me they get compared to Beck all the time also. So maybe it’s the musical equivalent of ‘tastes like chicken’. The guy’s done so much in many different styles it’s easy to compare nearly anything to something in his catalog.”
SLIDE IT IN: THE ULTIMATE SPECIAL EDITION includes newly remastered versions of both the U.K. and U.S. mixes of the album as well as the 35th Anniversary Remixes from 2019, plus unreleased live and studio recordings, music videos, concert footage, and a new interview with Whitesnake founder and lead singer, David Coverdale.
Red House Records is pleased to announce a new release by Ray Bonneville, a poet of the demimonde whose new album, Easy Gone, was released on April 15, 2014. The album finds the French Canadian-born, American-bred guitarist/ songwriter delivering a powerful, gritty batch of songs written from a lifetime of hard-won knowledge, including a stint in Vietnam and a struggle with drug addiction. In his life, he’s been a bush pilot and a cab driver among other jobs, living both in the States and French-speaking Canada. A true raconteur with a lifetime of stories to tell, the self-taught musician was just too busy living to get around to opening his storybook until his early 40s, some 20 years after he started performing.
The blues is a river with tributaries that flow into virtually every channel of American music. Dan Auerbach’s Nashville-based label Easy Eye Sound — Billboard’s Blues Label of the Year in 2022 — is charting a new course in “21st century juke joint blues.” The label’s new anthology Tell Everybody! is a bracing compilation, produced by Auerbach — winner of the GRAMMY Award as 2013 Producer of the Year, Non-Classical — featuring all new, exclusive recordings cut at Easy Eye Sound’s eponymous Nashville studio. From old masters to brilliant youngbloods, acoustic blues to roiling blues-rock, the collection is a fully realized survey of the blues tradition.
Easy Tiger has a "slow it down there, pal" undertone to its title – and who needs a word of caution other than Ryan Adams himself, who notoriously spread himself far and wide in the years following his 2000 breakthrough Heartbreaker. After celebrating his 30th birthday with a flurry of albums in one year, Adams decided to pull back, hunker down, and craft one solid album that deliberately plays to his strength…