All In features the following TOTO albums on seventeen LP’s and thirteen CD’s:
Toto, Hydra, Turn Back, IV, Isolation, Fahrenheit, The Seventh One, Kingdom Of Desire (Double LP set), Tambu (Double LP set), Mindfields (Double LP set), Toto XX (Double LP set). The set also includes a previously unreleased Live In Tokyo EP from their 1980 tour, along with an album titled Old Is New. The Old Is New LP features ten tracks, seven are previously unreleased along with “Spanish Sea,” “Alone” and “Struck By Lighting” which are featured on the band’s new greatest hits collection 40 Trips Around The Sun. All of the music in the box set was personally remastered by TOTO along with Elliot Scheiner.
It’s reigning women on the latest compilation album curated by music guru Ian “Molly” Meldrum. Molly has selected 38 of his favourite songs for Molly’s Women Of Rock & Pop, including chart-toppers such as Blondie’s ‘Heart of Glass’, Bonnie Tyler’s ‘Total Eclipse of the Heart’, Kim Carnes’ ‘Bette Davis Eyes’, Nena’s ‘99 Luftballoons’, Kim Wilde’s ‘You Keep Me Hangin’ On’, and Laura Branigan’s ‘Gloria’.
Ten years after 'Time To Swing', Helmut Lotti's new album 'Soul Classics In Symphony' is dedicated to one of the most fascinating and exciting chapters in music history: classical soul music. With the release, the Belgian superstar continues the concept album series that started in 1995 with 'Helmut Lotti goes Classic'. The LP incluling the pre-singles 'My Girl' as well as several great soul classics from 'Wonderful World' to 'Easy' to 'So You Win Again', was recorded together with the Golden Symphonic Orchestra and was released on September 28, 2018.
The fourth in a series of comprehensive box sets chronicling David Bowie's entire career: Loving the Alien (1983-1988) covers a period that found Bowie at a popular peak yet somewhat creatively adrift. Once Let's Dance went supernova in 1983, as it was designed to do, Bowie's productivity slowed to a crawl: he knocked out the sequel, Tonight, in a year, then took three to deliver Never Let Me Down. By the end of the decade, he rediscovered his muse via the guitar skronk of Tin Machine, but Loving the Alien cuts off with Never Let Me Down, presented both in its original version and in a new incarnation containing tasteful instrumentation recorded in the wake of Bowie's death…