Ivan Stadnuk

Maxim Emelyanychev and Il Pomo d’Oro continue their uncommon Mozart symphony cycle. The idea is the following: put together great symphonies of the late Mozart and youth pieces. Maxim Emelyanychev, who has already gathered the first and the last symphonies – the beginning and the end –, has chosen to record the symphony no. 29 and the legendary no. 40 in the present volume. The ensemble makes us follow Mozart, from Salzburg to Vienna, in the yearning for liberty his life was. Perfectly suited to this repertoire, Maxim Emelyanychev uses the exceptional and period-instrumented sonority of Il Pomo d’Oro to deliver a dramatic and powerful Symphony no. 40, while rendering all the lyricism and contrasts of the no. 29. The Oboe concerto, interpreted by the soloist Ivan Podyomov, first oboe at the Royal Concertbouw Orchestra, adds a concertante supplement to this programme.

The Times called it a "superbly played concert:" Ivan Ženatý and the BBC Symphony Orchestra conducted by Jiří Bělohlávek performed Foerster's first violin concerto at London's Barbican Hall in December, 2007. The concerto was written at the urging of Czech violin virtuoso Jan Kubelík, the dedicatee of the work, and the soloist who premiered it in Chicago in 1910. Thesecond concerto, recorded in the studio, is a somewhat neglected part of the solo repertoire, not being a work for the presentation of superficial violin virtuosity. Ženatý, however, succeeds indelving beneath the piece's surface and uncovering its introverted beauty for the audience.

Ivan Fischer tunrs his attention to Brahms following three acclaimed and Award-winning recordings of Mahler. Stunning interpretation of Brahms Symphony No.1 – once again Ivan Fisher forces the the listener to re-appraise familiar repertoire…