Esoteric Recordings is pleased to announce the release of a newly re-mastered and expanded 3CD clamshell box edition of the classic live album, “Live at Carnegie Hall” by RENAISSANCE. Released in 1976, the double album documented a series of sold-out concerts at the Carnegie Hall in New York City staged in June 1975, which saw highly gifted vocalist Annie Haslam, Michael Dunford (acoustic and electric guitars), John Tout (keyboards, vocals), Jon Camp (bass, acoustic & electric guitars, vocals) and Terry Sullivan (drums, percussion) joined by the New York Philharmonic Orchestra. Regarded as one of the finest live albums of the era, the album featured such classic tracks as ‘Ocean Gypsy’, ‘Carpet of the Sun’, ‘Mother Russia’, ‘Can You Understand’, ‘Song of Scheherezade’ and ‘Ashes Are Burning’ and is regarded among the finest works by Renaissance.
This 2 CD set contains all known complete tunes by the the all-star quintet at New York's Half Note club on Feburary 24 & March 3. 1959. A bonus album has been added feautering both Warne Marsh and Lee Konitz in a quartet setting with Peter Ind and Al Levitt. It was recorded live in London March 15. 1976. This import version of Live at the Half Note with Lee Konitz, Warne Marsh, and Bill Evans has not only all the tunes of the domestic version, but a whole other wonderful album, the Konitz/Marsh London Concert, included as well! Also, extensive notes in the booklet give helpful background information.
RIP Paul Motian: 1931-2011
Backed by Bob Berg on tenor sax, Tom Harrell on trumpet, Steve Beskrone on bass, and Eddie Gladden on percussion, pianist Horace Silver performs live in this release from TDK. Horace Silver is a jazz pianist who’s easy to appreciate. He’s as adept at pounding out repetitive funky piano lines as he is at playing exquisite bossa nova melodies, and the fact that so many of his most famous songs have become standards speaks for itself.
An overlooked gem from Blue Note – a special live performance that brings together some of the label's funkiest and most soulful artists of the 70s! The set's somewhat unusual for Blue Note at the time – especially given the label's increasingly studio-driven approach to jazz, with projects by the Mizell Brothers and others – yet given that bent, the whole thing's a great illustration of the vibrancy of all these artists always from the studio – playing live and extremely funky!