Jawn The Jam

The Complete Jam contains a number of British television performances and spreads them out over two discs. There is the BBC's popular The Old Grey Whistle Test, Marc (hosted by the flamboyant Marc Bolan of T-Rex fame), The Tube (which features an impromptu Peter Weller interview), and Something Else. There are 12 television spots with over 30 song performances. Also included are 16 videos of some of their most popular songs including Town Called Malice, That's Entertainment, Eton Rifles, and Start!. The set continues with contribution pieces Scene: The Fan Phenomenon and The Jam: A Time and a Place, which are insightful looks into the band and serve to augment the videos.

As good mods, the Jam always had a healthy respect for R&B and soul – even the first album featured the revved-up Northern soul of "Non-Stop Dancing." With The Gift, however, Paul Weller seems to have become completely absorbed in it, and more specifically, in Stax-style soul with more than a hint of psychedelia à la "Psychedelic Shack." An uneven album marked by overindulgences like the instrumental "Circus" and unnecessarily long songs, The Gift still has no shortage of terrific songs, like the simply sublime "Ghost," "Town Called Malice" (the hit), and the funk workout of "Precious." Weller can obviously do "soulful" – his voice has never sounded better – but unfortunately, The Gift, with its excesses and marginal tracks, doesn't show his talents in the proper light. Points for ambition, but ultimately, this is their least consistent effort since This Is the Modern World…

The Jam's Setting Sons was originally planned as a concept album about three childhood friends who, upon meeting after some time apart, discover the different directions in which they've grown apart. Only about half of the songs ended up following the concept due to a rushed recording schedule, but where they do, Paul Weller vividly depicts British life, male relationships, and coming to terms with entry into adulthood…

The Jam's enduring, eternal popularity in the U.K. meant an ever-increasing number of archival releases that cropped up over the years, with Live Jam, a fine counterpart to the other official concert album, Dig the New Breed, turning up in 1993. Like that earlier effort, it draws together a slew of tracks from shows ranging from 1979 to 1982, including some cuts from the band's almost-farewell headlining bows at Wembley Arena. Quite happily, there's no track overlap at all with Dig the New Breed, making the two perfectly complementary recordings in ways. The real treat, thanks to the expanded space on CDs, is the inclusion of nine songs from two December 1979 shows in London, the best portrait of what an actual specific show must have been like.