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De mooiste hits van dit moment aangevuld met onvergetelijke klassiekers, dat is KnuffelRock. Al bijna 30 jaar de dubbel CD voor liefhebbers van kwalitatieve popmuziek van de grootste artiesten. Dit jaar staan er veel artiesten van eigen bodem op KnuffelRock zoals MISS MONTREAL, DANNY VERA, DI-RECT, JAAP REESEMA & POMMELIEN THIJS, KREZIP, MARCO BORSATO, SUZAN & FREEK, ANOUK en DUNCAN LAURENCE. Ze worden afgewisseld met wereldsterren als JOHN LENNON, WHITNEY HOUSTON, ROBBIE WILLIAMS, CELINE DION, JOHN MAYER, P!NK, JOHN LEGEND en SADE. Maar ook de grote nieuwkomers als "Before You Go" van LEWIS CAPALDI, "You Broke Me First" van TATE McRAE, "I Need You To Hate Me" van JC STEWART en "Some Say" van NEA ontbreken niet.

Deluxe Edition 2 CD set features 35 tracks including b-sides and previously unreleased versions. Sonic Youth's second major-label album, produced and mixed by Butch Vig and Andy Wallace (a team that had helped turn Nirvana's NEVERMIND multi-platinum) was not the barefaced bid for mainstream acceptance that surly underground souls grumbled about in the pages of fanzines. While Vig and Wallace give guitarists Thurston Moore and Lee Ranaldo, bassist Kim Gordon, and phenomenal drummer Steve Shelley a wide-screen panorama for their bizarrely-tuned assaults, DIRTY is probably Sonic Youth's most uncompromising album since 1985's BAD MOON RISING–particularly in the lyrical department. Dropping the deliberate obscurantism, Philip K. Dick references, and smart-alecky snottiness, Sonic Youth brackets a slew of pointed political attacks ("Youth Against Fascism," "Swimsuit Issue," and the Jesse Helms-bashing "Chapel Hill") with two passionate tributes to the band members' murdered friend, Joe Cole ("100%" and "JC"). That DIRTY is Sonic Youth's most commercial-sounding album makes it that much more subversive.

De mooiste hits van dit moment aangevuld met onvergetelijke klassiekers, dat is KnuffelRock. Al bijna 30 jaar de dubbel CD voor liefhebbers van kwalitatieve popmuziek van de grootste artiesten. Dit jaar staan er veel artiesten van eigen bodem op KnuffelRock zoals MISS MONTREAL, DANNY VERA, DI-RECT, JAAP REESEMA & POMMELIEN THIJS, KREZIP, MARCO BORSATO, SUZAN & FREEK, ANOUK en DUNCAN LAURENCE. Ze worden afgewisseld met wereldsterren als JOHN LENNON, WHITNEY HOUSTON, ROBBIE WILLIAMS, CELINE DION, JOHN MAYER, P!NK, JOHN LEGEND en SADE. Maar ook de grote nieuwkomers als "Before You Go" van LEWIS CAPALDI, "You Broke Me First" van TATE McRAE, "I Need You To Hate Me" van JC STEWART en "Some Say" van NEA ontbreken niet.

"Down Two Then Left" is the eighth album by singer Boz Scaggs, released in 1977. The album peaked at #11 on the Billboard 200.

Raging Speed Metal madness at its finest! Finally the sophomore album! Let down your hair and rip off your shirt, Speed Metal is back! With lustful joy, the Belgians of EVIL INVADERS wallow in those mad days of early Metallica and Slayer, when Thrash Metal was marked with speed and metal's madness was bigger than the Beatlemania. Their second monstrosity of an album is called "Feed Me Violence" and delivers true Thrash Metal in its rawest strength: wasted and wild, lightning-swift and erratic! Full-throated Heavy Metal-screams that would make Rob Halford proud shoot over electrifying whirlwinds of solo guitars. Prepare yourself for massive divebombs and a grim beating snare drum! A must-have for every guitar-freak and for fans of Death, Slayer, Kreator and Judas Priest's Painkiller!

The album "Thelma Jones" was released in 1978 and featured the single alongside "I Can Dream" written by Leon Ware, "Lonely Enough To Try Anything", penned by Sam Dees and the popular rare groove tune "How Long", written by Len Ron Hanks and Zane Grey.

When Columbia Records released Cheryl Lynn's second album, "In Love", in 1979, the Los Angeles native had a lot to live up to. Her 1978 smash "Got to Be Real" had become one of the definitive anthems of the Disco Era, reaching #1 on Billboard s R&B singles chart and #12 on Billboard s pop singles chart. On top of that, "Star Love" (another single from Lynn's self-titled debut album of 1978) was a #16 R&B hit in Billboard. So Columbia had high hopes for "In Love". The album was a huge success and made it to #5 on Billboard's R&B albums chart and sold more than one million copies in the United States alone.

Things had hit their nadir for Taylor at Columbia with this 1979 release. The horrible title notwithstanding, there was simply nothing on the album that you'd ever want to hear twice, and it was a struggle to get through much of it once. Unconvincing dance-pop and light filler, decently sung but otherwise routine third-rate soul songs, and a general vapidness weighed this album down and made Taylor's fans almost organize to free him from Columbia.