Joe Hendricks

For anyone in their mid-teens in the mid-5Os, and into music, it had to be rock'n'roll - American rock'n roll. There was no British equivalent to the sound. In the UK, it was Chuck Berry, Elvis Presley, The Platters, Alan Freed, Radio Luxembourg, Voice Of America. If the right people get to know about this and hear the quality, this will sell and sell.

Mickey Baker - In the 50s: Hit, Git & Split (2007) {Rev-Ola Bandstand CRBAND29 rec 1952-1956}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 356 Mb | MP3 @320 -> 180 Mb
Full Artwork @ 300 dpi (jpg) -> 22 Mb | 5% repair rar
© 1952-56, 2007 Rev-Ola Bandstand | CRBAND29
Rhythm & Blues / Rock & Roll / Blues / Rockabilly

Few rock & roll or R&B guitarists of the '50s and '60s have a more consistently frantic body of work than the great Mickey Baker, though his name isn't nearly as well-known as Chuck Berry, Bo Diddley, or Ike Turner. Baker did most of his work as a sideman, and his best-known recordings as a headliner found him playing second fiddle to Sylvia Robinson as half of Mickey & Sylvia (whose "Love Is Strange" remains a puzzling delight 50 years after it was recorded), but folks who know and love first-era rock & roll are aware of Baker's greatness, and this collection is a superb overview of his work, both as a bandleader and as a hired gun.

The sun has set, it’s cocktail hour and you need some sounds to help you settle into the evening. These are those sounds. More than four hours of the very best after-hours jazz around. Whether sultry saxophone, cool singing, muted trumpet or relaxed piano, this Late Night Jazz is the perfect accompaniment to your wee small hours.
Stan Getz, John Coltrane, Cannonball Adderley, Carmen McRae, Jimmy Scott, Miles Davis, Lee Morgan, Donald Byrd, Kenny Barron and many others.

Jobim made his last Brazilian concert appearance – and the penultimate one of his life – at this warm, star-studded affair in which American jazz musicians jetted down to the Free Jazz Festival in Sao Paulo to pay effusive homage. The miracle is how easily the jazzers were able to capture the yearning essence of Jobim's idiom without really compromising their own distinct styles. Thus, Joe Henderson welds his trademark unpredictable flurries into the cool tenor sax bossa nova tradition, Shirley Horn does "Once I Loved" in her own inimitable manner that matches the mood of the song perfectly, Jon Hendricks' scatting fits the samba like a glove. The pianists go somewhat outside the idiom – Herbie Hancock's modern complexity, Gonzalo Rubalcaba's technical fireworks laced with Afro-Cuban salsa – but they stay within their orbits around the Jobim sun.

Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.

A new work joins the impressive discography of one of Germany's most distinguished jazz musicians. Together with Italian organist Renato Chicco and first-call drummer Jorge Rossy, Johannes Enders presents his trio MicroOrganisms, whose latest live LP was recorded in Graz in 2022 and released on his own label 'Ammerton'. Powerful, dynamic, lyrical and upbeat, the best jazz through and through in organ trio format!