Obtenir un MBA (Master of Business Administration) est cher et pas toujours rentable. C'est ce constat qui a poussé Josh Kaufman à créer le site web (devenu rapidement une référence) comme une alternative possible aux formations proposées dans les écoles de commerce. Sur son site, il partage sa liste de lecture des meilleurs livres de business à dévorer et il explique de manière simple les concepts et les principes à connaître pour réussir sa carrière ou son entreprise. …
« Ne rangez ce livre sous aucun prétexte. Josh vous emmène dans un voyage des plus utiles à travers tous les concepts-clés du monde des affaires. » Seth Godin, auteur de La vache pourpre et autres succès « Peu importe ce qu'on vous dira, un MBA n'est pas indispensable. Si vous lisez ce livre et mettez en pratique de nouvelles idées, vous ferez un immense pas en avant. » Kevin Kelly, ancien rédacteur en chef du magazine Wired Obtenir un MBA est cher et pas toujours rentable. …
Two years after 2013's The Beast in Its Tracks, the good news is Josh Ritter is feeling better about things. While The Beast in Its Tracks documented Ritter's often unsettled state of mind after the collapse of his marriage, 2015's Sermon on the Rocks is the sound of a man on the rebound, and while the album is hardly sunshine and cold beer throughout, these songs clearly reflect Ritter's tenacity and spirit rather than the damaged emotions that were front and center two years earlier. "Getting Ready to Get Down" finds Ritter offering a small-town girl some advice to forget Bible college and see a bit of the big bad world, and the tale is told with the swagger of a guy who wouldn't mind showing her a few things himself.
Bonny Light Horseman are Anaïs Mitchell, Eric D. Johnson (Fruit Bats), and Josh Kaufman (Craig Finn, Josh Ritter, The National) and they release their self titled debut album via 37d03d Records. Produced by Josh Kaufman, Bonny Light Horseman finds the group reimagining and reinterpreting traditional songs and co-writing new ones based loosely on specific sources.
Bob Weir never stopped making music but he did back away from his solo career after Heaven Help the Fool, a misbegotten 1978 effort that found the Grateful Dead guitarist attempting to dabble in the sun-splashed surfaces of SoCal soft rock. After that, he retreated to the boogying Bobby & the Midnites, a side project that was abandoned after the Dead scored a hit in 1987 with In the Dark, then after the death of Jerry Garcia, he wandered through several jam bands, settling on RatDog as a vehicle for whatever songs he had. All of this is to say that when 2016's Blue Mountain is called Weir's best album since his 1972 debut Ace – and it is, without question – there simply isn't much competition.