Jack Van Cleaf

Fear of the Dawn is the fourth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering and released by Third Man Records.

Jack Kerouac (1922-1969) is considered a literary iconoclast and a pioneer of the Beat Generation (along with William S. Burroughs and Allen Ginsberg) who is recognized for his method of spontaneous prose. He became an underground celebrity and, with other beats, a progenitor of the hippie movement.

Following his acclaimed release of the Brahms and Schoenberg Violin Concertos, Jack Liebeck returns to Orchid Classics with Ysaÿe’s Six Sonatas for Solo Violin, as well as the lyrical Poème élégiaque for violin and piano, for which Liebeck is joined by Daniel Grimwood. Ysaÿe was hailed as the greatest violinist of his day until illness cut short his career as a soloist, prompting him to channel his energies into writing these sonatas dedicated to six of his most outstanding contemporaries, including George Enescu and Fritz Kreisler. Ysaÿe’s Six Sonatas were inspired by hearing Joseph Szigeti play J.S. Bach’s Sonata for solo violin in G minor, BWV 1001, and Bach’s influence is palpable throughout, alongside folk idioms that reflect the nationality of each dedicatee, and more characteristic 20th-century elements such as dissonance and quarter tones. This mixture is bound together by the dazzling virtuosity one would expect from a master of the instrument. Liebeck navigates these nuances with the combination of delicacy and bravura demanded by these stunning pieces.

With a live version of "Crossroads" going Top 30 for Cream, Songs for a Tailor was released in 1969, showing many more sides of Jack Bruce. George Harrison (again using his L'Angelo Misterioso moniker) appears on the first track, "Never Tell Your Mother She's Out of Tune," though his guitar is not as prominent as the performance on "Badge." The song is bass heavy with Colosseum members Dick Heckstall-Smith and Jon Hiseman providing a different flavor to what Bruce fans had become accustomed to. Hiseman drums on eight of the ten compositions, including "Theme From an Imaginary Western," the second track, and Jack Bruce's greatest hit that never charted. With "just" Chris Spedding on guitar and Jon Hiseman on drums, Bruce paints a masterpiece performing the bass, piano, organ, and vocals. The song is so significant it was covered by Mountain, Colosseum, and a Colosseum spin-off, Greenslade…

Singing trombonist Jack Teagarden came up in the jazz and dance bands of his native Texas and the surrounding territories. By the end of the '20s he was making noise with the Eddie Condon mob in New York City, where the South-and-Midwesterners quickly learned that authentic, New Orleans-Chicago-styled jazz could be performed in public if you didn't need to eat more than one meal per day. The paying gigs were with society dance bands, and Teagarden made ends meet during the first half of 1930 by serving in the brass sections of orchestras under the direction of Ben Selvin and Sam Lanin, as well as the toothpowder and toothpaste-affiliated Ipana Troubadours. This type of economic problem solving would lead to his being contractually tethered to the Paul Whiteman Orchestra during the years 1933-1939. In 2006, the Jazz Oracle label released a thrilling 25-track collection of recordings that document Teagarden's professional activity during the first grueling months of the Great Depression.

New Orleans pianist who was a master of hard-driving boogie and blues. A formidable contender in the ring before he shifted his focus to pounding the piano instead, Champion Jack Dupree often injected his lyrics with a rowdy sense of down-home humor. But there was nothing lighthearted about his rock-solid way with a boogie; when he shouted "Shake Baby Shake," the entire room had no choice but to acquiesce.