Jack Van Cleaf

Jack Savoretti returns with a wonderful new album that arrives complete with its own genre, Europiana. Put on your dancing shoes for the funky first single, the disco fuelled ‘Who’s Hurting Who’, featuring Nile Rodgers.

George Benson's facile post-Wes Montgomery single-line and chord-accented style was well received in his salad days of the mid- to late '60s. Primarily self-taught and ear-trained, he made great strides in a five-year period around his native Pittsburgh, working with organist Jack McDuff on the East Coast chitlin circuit. As the soul-jazz and boogaloo movement was establishing itself, Benson was right in the pocket, as these seminal mid-'60s sessions perfectly illustrate. In tandem with saxophonist Red Holloway, the two Prestige label LPs New Boss Guitar and Hot Barbeque were initially reissued in 1977 on a vinyl two-fer, and now on this single CD. The first two tracks, "Shadow Dancers" and "The Sweet Alice Blues," sans McDuff though toeing the groove line, are the most original and modern numbers…

Released just after Jack Bruce's 65th birthday, the six-disc box set from Esoteric Recordings chronicles the astounding journey of this eclectic, gifted singer/bassist/songwriter, from 1962 to 2003. Covering pretty much every phase of his career, it includes his work with early British bluesmen like Alexis Korner, Graham Bond, and John Mayall; his psychedelic milestones with Cream; the art-rock-troubadour sounds of his early solo albums; and much more. Collaborating with everyone from P-Funk keyboard wizard Bernie Worrell to British blues-rocker Robin Trower and jazz drummer extraordinaire Tony Williams, Bruce effortlessly bounded back and forth from rock to blues to jazz and beyond, and "Can You Follow?" shows you just how these impressive feats were accomplished. The box set includes a 68 page book featuring Jack's recollections and many photographs.

"But it's Shakespeare's coffin!" Dupree exclaimed when he saw the enormous grand piano awaiting him in the studio on July 21, 1971, where on one of his numerous visits to Paris he had been asked to record. But regardless of the piano his puncher’s hands worked out on - usually it was a humble upright - Champion Jack Dupree expressed the essence of the blues.
During his prolific career Dupree often paid tribute to men he admired by improvising a blues to their memory. So he recorded The Death of Big Bill Broonzy, The Death of Luther King, President Kennedy Blues, and The Death of Louis, which gives its title to the present collection. Armstrong had died a few days earlier, on July 6, and Dupree evokes with feeling their days together as children in the Waifs’ Home…

Here he slides back into the raw, blown out garage rock that he's so well known for and man does it sound good. The riffs are piled high all over this album and he's never sounded so urgent and utterly relevant. Everything distorts in just the right places and the hooks are guaranteed to stay in your head for a long, long time. He's stripped everything back and come back bigger, badder and better than ever. 2024 needs this man big time.

Trumpeter Jack Walrath's music by the mid-'80s tended to play off of the melodies of tunes and their moods rather than merely following chord changes and predictable patterns. Heading a sextet on this Blue Note CD that includes tenor saxophonist Carter Jefferson (who doubles on clarinet), guitarist John Abercrombie, pianist James Williams, bassist Anthony Cox and drummer Ronnie Burrage, Walrath performs such originals as the exciting "Village of the Darned," the somewhat scary "Fright Night," the impressionistic "England" and a remake of "Beer." Although somewhat overlooked, Jack Walrath is always well worth checking out for he avoids the obvious and his music is full of surprises.