Jackie Mclean Jacknife Blue Note Re

Jackie McLean's Jacknife sessions have had a peculiar and somewhat disjointed history in his discography. Initially issued in 1975 on a vinyl two-fer as part of the Blue Note reissue series, it included separate, previously unreleased sessions from 1965 and 1966, the former with trumpeters Lee Morgan and Charles Tolliver, the latter in a quartet with only McLean as the leading horn. This 1965 group has many worthwhile and often challenging moments for the then-33-year-old alto saxophonist.
Of the five tracks here, "On the Nile," at over 12-and-a-half minutes, should be a favorite, as its modern, mainstream modalism weaves Larry Willis' deep piano chords, Tolliver's evocative trumpet, and McLean's rich harmonizing…

The soaring spirit of Blue Note Records – served up here with a really special twist to fit the mode of the Free Soul series! The package is overflowing with goodness – four hours' worth of listening, with a special focus on two periods of the label – that great late 60s/early 70s stretch when they were trying out so many new ideas and rhythms, including elements borrowed from soul, Latin, fusion, and Brazilian modes – and the more recent stretch that has seen Blue Note re-emerge as one of the most forward-thinking labels in jazz!

Jackie McLean was a hard-bop alto saxophonist with a fiery tight tone, who recorded extensively in the ‘50s and ‘60s mainly with Blue Note Records. Although his forays with an organ was confined to two albums with Jimmy Smith Open House and Plain Talk, Cory Weeds’ decision to use an organ on this session does not stray off the mark. Condition Blue accomplishes the band’s intention, to acknowledge a saxophonist who had an exploratory vision. In a set list of either McLean originals, or compositions associated with him, this tight-knit band delivers the goods in firm, yet flexible style. The key players in this session in addition, to the cooly effective altoist Weeds, are Mike LeDonne, a B-3 player of energetic disposition, and creative guitarist Peter Bernstein. Also along is drummer Joe Farnsworth who is a propulsive player.

Altoist Jackie McLean has recorded so many fine albums throughout his career, particularly in the '60s for Blue Note, that Mosaic could have reissued his complete output without any loss of quality. This four-CD limited-edition box set contains six complete LPs worth of material plus one "new" alternate take…

New Soil wasn't the first session Jackie McLean recorded for Blue Note, but it was the first one released, and as the title suggests, the first glimmerings of McLean's desire to push beyond the limits of bop are already apparent. They're subtle, of course, and nowhere near as pronounced as they would be in just a few years' time, but – as with the 1959 material later issued on Jackie's Bag – hints of Ornette Coleman's stream-of-consciousness melodic freedom are beginning to find their way into McLean's improvisations. His playing is just a touch more angular than the ear expects, especially given the very bluesy nature of pieces like McLean's 11-minute vamp "Hip Strut," and pianist Walter Davis, Jr.'s infectious boogie-woogie "Greasy."