Jackie Wilson Five Classic Albums (he's so Fine Lonely Teardrops Sings The Blues a Woman, a Lover, a Friend By Special Request) (digitally Remastered)

This is a three albums CD box set with the original artworked 'mini LP' CD wallets in deluxe packaging. It contains the first three original Australia/NZ-only Bee Gees' LP's, reissued for the first time ever with original track listings and in original sleeve artwork.

The Marvelettes Forever More: The Complete Motown Albums Vol. 2 The final albums in a storied career, plus 25 unreleased tracks! When, in 1961, the Marvelettes climbed to the top of the national pop charts with their first single, "Please Mr. Postman," they brought Motown with them, helping to establish the little label from Detroit. That first phase of the group's career was thoroughly chronicled in Forever: The Complete Motown Albums Vol. 1, a 3-CD limited edition set that brought together the group's first six albums and every stray single, B-side and rarity from the early era. Now, on the 50th anniversary of "Please Mr. Postman" becoming Motown's first No. 1 hit, comes Forever More: The Complete Motown Albums Vol. 2. The 4-CD set, with 108 songs, collects the group's highly sought-after, final four albums, originally released 1967-1970.

Three CD collection. RPM Records is pleased to present the most detailed overview of the hitmaking career of Mitch Ryder & the Detroit Wheels. Sockin' It to You features three CDs containing all five of their albums for Crewe plus all of the non-LP 45 releases, including one LP and several single sides making their CD debut. Disc One features the albums Take A Ride which includes the single hit, 'Jenny Take A Ride' and "Breakout" which features the hit singles, 'Devil with A Blue Dress', 'Little Latin Lupe Lu' and 'Breakout'. Disc Two features the album Sock It to Me and the singles 'Sock It to Me Baby' and 'Takin' All I Can Get'. Next comes the album "All Mitch Ryder Hits", a compilation set that featured one new track a version of the Motown hit for The Marvelettes, 'Too Many Fish in The Sea' and the vintage novelty song, 'Three Little Fishes'. We have not included the rest of the album as all of the tracks are already featured.

The album "INTEGRAL BILLIE HOLIDAY 1956 - 1959 (Remastered Version)" is a curated collection of Billie Holiday's recordings from the final years of her career, spanning 1956 to 1959. This period captures her mature, emotive interpretations of jazz and blues standards, even as her voice showed signs of strain due to personal and health challenges.

A short history of The Drifters would actually be an impossibility as well over 60 performers have been “Drifting” at one point or another! For brevity’s sake let’s just say the original Drifters were formed as a back up band for Clyde McPhatter and released one album in 1956 aptly titled “Clyde McPhatter & The Drifters”. Fast forward to 1959 and we find the second band emerging from a group called The Five Crowns, led by one, Benjamin Earl Nelson, better known professionally as Ben E King. Along with three other Crowns, Charlie Thomas, Dock Green and Elsbeary Hobbs they became a four piece dropping an alcohol troubled fifth member James “Poppa” Clark along the way. This line up became arguably the classic Drifters group produced mainly by The Coasters producers, Leiber & Stoller. The dynamic “wunderkinds “of the fifties music scene would of course write many classic songs of the era, many included here on our set alongside another dynamic writing duo Pomus & Shuman. This era became known as “the true golden age of the group” but sadly was to last only a couple of years. Due to financial problems (all the group were certainly never paid what they were worth) rather than the other classic rock n roll break up reason “musical differences”, Ben E King left the group for a solo career in 1960 and here we include three classic albums by the great man. Ben scored his first hit the following year, 1961, with the stone classic “Spanish Harlem” followed by yet another “Stand By Me” not a bad start at all, we say! Many hit singles and albums would follow but arguably he never had a hit as big at these two all time classics! And as we know they would both re-appear on the charts down the years. In 1982 Ben E King returned to The Drifters for a British tour and stayed until 1986.

AVID Jazz presents the latest release in our Five Classic Album series with a re-mastered 2CD release from Beverly Kenney, complete with original artwork, liner notes and personnel details. "Sings For Johnny Smith"; "Come Swing With Me"; "Sings With Jimmy Jones & The Basie-Ites"; "Sings For Playboys" and "Like Yesterday".

A short history of The Drifters would actually be an impossibility as well over 60 performers have been “Drifting” at one point or another! For brevity’s sake let’s just say the original Drifters were formed as a back up band for Clyde McPhatter and released one album in 1956 aptly titled “Clyde McPhatter & The Drifters”. Fast forward to 1959 and we find the second band emerging from a group called The Five Crowns, led by one, Benjamin Earl Nelson, better known professionally as Ben E King. Along with three other Crowns, Charlie Thomas, Dock Green and Elsbeary Hobbs they became a four piece dropping an alcohol troubled fifth member James “Poppa” Clark along the way. This line up became arguably the classic Drifters group produced mainly by The Coasters producers, Leiber & Stoller. The dynamic “wunderkinds “of the fifties music scene would of course write many classic songs of the era, many included here on our set alongside another dynamic writing duo Pomus & Shuman. This era became known as “the true golden age of the group” but sadly was to last only a couple of years. Due to financial problems (all the group were certainly never paid what they were worth) rather than the other classic rock n roll break up reason “musical differences”, Ben E King left the group for a solo career in 1960 and here we include three classic albums by the great man. Ben scored his first hit the following year, 1961, with the stone classic “Spanish Harlem” followed by yet another “Stand By Me” not a bad start at all, we say! Many hit singles and albums would follow but arguably he never had a hit as big at these two all time classics! And as we know they would both re-appear on the charts down the years. In 1982 Ben E King returned to The Drifters for a British tour and stayed until 1986.

A short history of The Drifters would actually be an impossibility as well over 60 performers have been “Drifting” at one point or another! For brevity’s sake let’s just say the original Drifters were formed as a back up band for Clyde McPhatter and released one album in 1956 aptly titled “Clyde McPhatter & The Drifters”. Fast forward to 1959 and we find the second band emerging from a group called The Five Crowns, led by one, Benjamin Earl Nelson, better known professionally as Ben E King. Along with three other Crowns, Charlie Thomas, Dock Green and Elsbeary Hobbs they became a four piece dropping an alcohol troubled fifth member James “Poppa” Clark along the way. This line up became arguably the classic Drifters group produced mainly by The Coasters producers, Leiber & Stoller. The dynamic “wunderkinds “of the fifties music scene would of course write many classic songs of the era, many included here on our set alongside another dynamic writing duo Pomus & Shuman. This era became known as “the true golden age of the group” but sadly was to last only a couple of years. Due to financial problems (all the group were certainly never paid what they were worth) rather than the other classic rock n roll break up reason “musical differences”, Ben E King left the group for a solo career in 1960 and here we include three classic albums by the great man. Ben scored his first hit the following year, 1961, with the stone classic “Spanish Harlem” followed by yet another “Stand By Me” not a bad start at all, we say! Many hit singles and albums would follow but arguably he never had a hit as big at these two all time classics! And as we know they would both re-appear on the charts down the years. In 1982 Ben E King returned to The Drifters for a British tour and stayed until 1986.

A short history of The Drifters would actually be an impossibility as well over 60 performers have been “Drifting” at one point or another! For brevity’s sake let’s just say the original Drifters were formed as a back up band for Clyde McPhatter and released one album in 1956 aptly titled “Clyde McPhatter & The Drifters”. Fast forward to 1959 and we find the second band emerging from a group called The Five Crowns, led by one, Benjamin Earl Nelson, better known professionally as Ben E King. Along with three other Crowns, Charlie Thomas, Dock Green and Elsbeary Hobbs they became a four piece dropping an alcohol troubled fifth member James “Poppa” Clark along the way. This line up became arguably the classic Drifters group produced mainly by The Coasters producers, Leiber & Stoller. The dynamic “wunderkinds “of the fifties music scene would of course write many classic songs of the era, many included here on our set alongside another dynamic writing duo Pomus & Shuman. This era became known as “the true golden age of the group” but sadly was to last only a couple of years. Due to financial problems (all the group were certainly never paid what they were worth) rather than the other classic rock n roll break up reason “musical differences”, Ben E King left the group for a solo career in 1960 and here we include three classic albums by the great man. Ben scored his first hit the following year, 1961, with the stone classic “Spanish Harlem” followed by yet another “Stand By Me” not a bad start at all, we say! Many hit singles and albums would follow but arguably he never had a hit as big at these two all time classics! And as we know they would both re-appear on the charts down the years. In 1982 Ben E King returned to The Drifters for a British tour and stayed until 1986.

The album "INTEGRAL BILLIE HOLIDAY 1956 - 1959 (Remastered Version)" is a curated collection of Billie Holiday's recordings from the final years of her career, spanning 1956 to 1959. This period captures her mature, emotive interpretations of jazz and blues standards, even as her voice showed signs of strain due to personal and health challenges.