Jacky Haha

I Know I’m Funny haha is Webster’s most realized manifestation yet of this emotional and musical alchemy. Continuing to bloom from her 2019 breakthrough and Secretly Canadian debut Atlanta Millionaires Club, Webster’s sound draws as much from the lap-steel singer-songwriter pop of the 1970s and teardrop country tunes as it does from the audacious personalities of her city’s rap and R&B community.

Jacky Terrasson's 1999 album, What It Is, represented something of a risk. The young pianist's first three albums were barebones trio affairs that had won him rave reviews, whereas What It Is featured additional instruments and was more slickly produced. Gone, it seemed, was the sparse, acoustic approach that had originally given Terrasson his fame.
But while this new direction yielded mixed results and left some fans a bit befuddled, one had to respect Terrasson's need to grow and evolve as an artist.Terrasson does much better with his follow-up, A Paris, an homage to the city of his youth and early adulthood. While not a return to the simple piano trio format (there are five guest musicians in addition to two alternating rhythm sections), the album has a spontaneous, natural sound that was lacking from the studio-centric What It Is..

Jacky Terrasson & Emmanuel Pahud - Into the Blue (2002) {EMI Classics ‎7243 5 57257 2 1}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 216 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 300 dpi (png) -> 144 Mb | 5% repair rar
© 2002 Blue Note / EMI Classics ‎| 7243 5 57257 2 1
Jazz / Classical Crossover / Post Bop / Third Stream / Piano / Flute

Emmanuel Pahud is an award-winning classical flutist who's also Principal Flute for the Berlin Philharmonic. Jacky Terrasson is an award-winning jazz pianist who's a Principal Original on the scene; uniquely playful and inventive, it's always interesting to see what he comes up with next. This time he rearranges 14 classical melodies in a jazz context.

Il ne suffit pas d’être deux pour faire une rencontre. En amour même, cela contrarie souvent l’esprit de la rencontre. Cette "séance" est jouée jusqu’au bout. La musique s’y pose comme un oiseau de paradis sur la queue du piano. Moon and Sand, qui donne son titre à l’album, a cette grâce d’incertitude, cette fragilité, la démarche intimidée et souple qui en font le charme. Les premières notes de Tom Harrell, son entrée en jeu, sont un des moments d’émotion de la vie. C’est la musique même, son affirmation sans roulement…

The talented young pianist Jacky Terrasson and his trio (with bassist Ugonna Okegwo and drummer Leon Parker) find something new to say on a few standards (including a rare up-tempo version of "For Sentimental Reasons") and introduce five of Terrasson's originals. Although he has does not have an original style yet, Terrasson displays a great deal of potential for the future. Highlights include "I Should Care," "Just One of Those Things," and a medley of his "Reach" with "Smoke Gets in Your Eyes."

Violinist, arranger and artistic producer Jacky Molard has taken part in many musical adventures that have marked the history of Breton music over the last thirty years. In 2006, with Erik Marchand and Bertrand Dupont, he created the Label Innacor and the same quartet with Hélène Labarrière (double bass), Yannick Jory (saxophones) and Janick Martin (accordion).